yacht rock artwork

If the Yacht Is a Rockin': Riding the Yacht Rock Nostalgia Wave

By maggie serota | jun 12, 2020.

It’s not often that an entire genre of music gets retconned into existence after being parodied by a web series, but that’s exactly what happened after writer, director, and producer J.D. Ryznar and producers David B. Lyons and Hunter D. Stair launched the Channel 101 web series Yacht Rock in 2005. Hosted by former AllMusic editor “Hollywood” Steve Huey, the series was a loving sendup of the late '70s/early '80s smooth jams to which many Millennials and late period Gen-Xers were likely conceived.

The yacht rock aesthetic was innovated by a core group of musicians and producers including, but not limited to, Christopher Cross, Steely Dan, Robbie Dupree, Kenny Loggins, Toto, David Foster, and hirsute soft rock titan Michael McDonald, along with scores of veteran session musicians from the Southern California studio scene.

The Yacht Rock web series was perfectly timed to coincide with a contemporary renaissance of smooth music from the late '70s, the kind that was previously considered a guilty pleasure because it fell out of fashion in the mid-'80s and was soon thereafter regarded as dated and square compared to other burgeoning genres, like punk rock and hip-hop.

Yacht Rock's Early Years

The yacht rock era began roughly around 1976, when yacht rock pillar Kenny Loggins split up with songwriting partner Jim Messina to strike out on his own. That same year, fellow yacht rock mainstay Michael McDonald joined The Doobie Brothers. The two titans of the genre joined forces when Loggins co-wrote the definitive yacht rock hit “What a Fool Believes” with McDonald for the Doobies. They collaborated several times during this era, which was par for the course with such an incestuous music scene that was largely comprised of buddies playing on each other’s albums.

"Look at who performed on the album and if they didn’t perform with any other yacht rock hit guys then chances are [it's] ‘nyacht’ rock,” Ryznar said on the  Beyond Yacht Rock podcast, referencing the pejorative term frequently used to describe soft rock songs that just miss the boat.

"The basic things to ask yourself if you want to know if a track is yacht rock are: Was it released from approximately 1976 to 1984? Did musicians on the track play with Steely Dan? Or Toto?," Ryznar said. "Is it a top 40 radio hit or is it on an album meant to feature hits?" And, of course, does the song celebrate a certain breezy, SoCal aesthetic?

Building the Boat

There are certain key ingredients necessary for a track to be considered yacht rock. For starters, it helps (though is not necessary) to have album art or lyrics that specifically reference boating, as with Christopher Cross's landmark 1980 hit “Sailing.” The music itself is usually slickly produced with clean vocals and a focus on melody over beat. But above all else, the sound has to be smooth . That’s what sets yacht rock apart from "nyacht" rock.

"Its base is R&B, yet it’s totally whitewashed," Ryznar explained on  Beyond Yacht Rock . "There [are] jazz elements. There can be complex, challenging melodies; the solos are all cutting-edge and really interesting. There’s always something interesting about a true yacht rock song. It goes left when you expect it to go right."

Yacht rock’s complex musicianship can be attributed, in part, to the session players on each track. Musicians like percussionist Steve Gadd, guitarist and Toto founding member Steve Lukather, and Toto drummer Jeff Porcaro don’t have much in the way of name recognition among casual soft rock listeners, but they’re the nails that hold the boat together. Steely Dan, “the primordial ooze from which yacht rock emerged,” according to Ryznar, famously cycled through dozens of session musicians while recording their 1980 seminal yacht rock album Gaucho .

"These musicians were not only these slick, polished professionals, but they were highly trained and able to hop from style to style with ease,” Huey explained on  Beyond Yacht Rock . “Very versatile.”

In Greg Prato’s 2018 tome, The Yacht Rock Book : An Oral History of the Soft, Smooth Sounds of the 70s and 80s , Huey broke down “the three main defining elements of yacht rock,” explaining that it requires “Fusing softer rock with jazz and R&B, very polished production, and kind of being centered around the studio musician culture in southern California … It’s not just soft rock, it’s a specific subset of soft rock that ideally has those elements."

Soft rock untethered

Whereas the music of the late 1970s and early ‘80s is often associated with the anti-establishment music of punk pioneers like the Dead Kennedys and the socially conscious songs being written by early hip-hop innovators like Grandmaster Flash and the Furious Five, yacht rock is the antithesis of the counterculture.

Yacht rock occupies a world that is completely apolitical and untethered to current events. Between the oil crisis, a global recession, and inflation—not to mention the fact that the U.S. was still licking its wounds from the loss of the Vietnam War and the disgrace of Watergate—the late '70s were a dark time for Americans. Yet yacht rock, at its heart, is a tequila sunrise for the soul, whisking the listener away to a world where they have the time, and the means, to idle away the hours sipping piña coladas at sea while decked out in flowy Hawaiian shirts and boat shoes.

Yacht rock was never edgy, nor did it ever feel dangerous. Yacht rock didn’t piss off anyone’s parents and no one ever threatened to send their kid to boot camp for getting caught listening to Kenny Loggins's “This Is It.” Yacht rock tracks are more of a siren song that invite your parents to join in on the chorus anytime they hear Toto’s "Rosanna."

Yacht rock songs are meant to set the soundtrack to a life where the days are always sunny, but as Ryznar pointed out on Beyond Yacht Rock , there’s “an underlying darkness”—just not the kind that’s going to derail a day of sailing to Catalina Island. No, yacht rock has elements of low-stakes heartbreak with sensitive male protagonists lamenting their own foolishness in trying to get back together with exes or hitting on women half their age.

The aspirational aspect of the genre dovetailed nicely with the overarching materialism defining the Reagan era. “Yacht rock was an escape from blunt truths, into the melodic, no-calorie lies of ‘buy now, pay never,’ in which any discord could be neutralized with a Moog beat,” Dan O’Sullivan wrote in Jacobin .

Some Like it Yacht

Although the cult comedy series Yacht Rock ceased production in 2010, the soft rock music revival it launched into the zeitgeist is still going strong. For the past few years, SiriusXM has been running a yacht rock station during prime boating season, or what those of us without bottomless checking accounts refer to as the spring and summer months. Yacht rock tribute acts like Yacht Rock Revue are profitable business endeavors as much as they are fun party bands. There’s also a glut of yacht rock-themed song compilations for sale and a proliferation of questionably curated genre playlists on Spotify.

Whether you believe yacht rock is an exalted art form or the insidious soundtrack to complacency, any music lover would probably agree that even a momentary escape from the blunt truths of life is something we could all use every now and then.

Yacht rock art: prehistoric carvings found in Norway may be oldest nautical images in the world

Two life-size outlines of boats are thought to have been etched into the grey rock face 10,000 years ago—and more could still await discovery.

A digital tracing of the first boat carving at Valle shows it was probably a life-size image like others found at the site Tracing: Jan Magne Gjerde

Carvings of boats found at Valle, Norway, may be the oldest known examples in Europe, and are perhaps among the earliest in the world, according to a new study published in the Oxford Journal of Archaeology . The two images are thought to have been made around 10,000-11,000 years ago, 3,000 years before other boat carvings in northern Europe.

First identified in 2017, the boats appear as white outlines carved into the grey rock surface, and can only be seen clearly under the right light and weather conditions. One boat originally measured around 4.3 metres in length, though only one end now remains due to erosion. It was probably a life-size representation, like nearby carvings of animals, which include seals, reindeer, a possible porpoise, and perhaps even a polar bear. A second boat image is less well-preserved, with only around three metres still visible.

The boats appear as white outlines carved into the grey rock surface, and only be seen clearly under the right weather and light conditions Photo: Jan Magne Gjerde

In the research paper, Jan Magne Gjerde , an archaeologist with the Norwegian Institute for Cultural Heritage Research, suggests that the boat carvings may represent Arctic skin boats, a type of vessel often made from seal hides that helped early Scandinavians to settle the area. These boats were light enough to be carried, could hold multiple people and items, and were fast when hunting on water. “Such a vehicle would be ideal for colonizing the seascapes in northern Norway during the Early Mesolithic,” Gjerde writes in the paper.

Hunters using an umiak, an Arctic skin boat, while on whale patrol in Alaska © S.R. Bernardi Photographs (UAF‐1959‐875‐13), Photographic archives at Elmer E Rasmussen Library at the Alaska and Polar Regions Collections and Archives in Fairbanks, University of Alaska Fairbanks

Gjerde argues that similar large examples of rock art at other sites may have acted like “signposts imbued with information” or “reference points” visible from a great distance. “Socializing the seascape by making highly visible rock art would be an important means of communication for the pioneer people in this area,” he writes.

Other carvings may still await discovery at Valle. “Considering the critical impact of the weather and light (sun) on the visibility of the rock art, it is very likely that there are more figures at Valle and more sites with rock art in the Ofoten area in northern Norway,” Gjerde writes.

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The idea of yacht rock conjures up a particular lifestyle, but beneath the surface lies a treasure trove of sophisticated hits that continue to resonate.

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Even some of those who signed up to the subgenre subtleties of what became known as yacht rock may consider it to be a time-locked phenomenon. Certainly, its chief protagonists first cast their subtle soft-rock sophistication in the 70s and 80s, but its melodic echoes can still be heard all these decades later.

Perhaps unusually, the phrase itself was coined as a kind of lighthearted castigation of the adult-oriented rock that seemed to exude privileged opulence: of days in expensive recording studios followed by hedonistic trips on private yachts, typically around southern California. The web TV series of the mid-00s that parodied the lifestyle was even named Yacht Rock ; one of the biggest hits of a chief exponent of the sound, Christopher Cross, was, of course, “Sailing.”

The recent resurgence in the long career of another staple, Michael McDonald, is testament to the durability of a style that was, after all, grounded in musicianship and melodicism of the highest order. Nearly 40 years after he and fellow yacht rock principle Kenny Loggins co-wrote and performed the Grammy-winning “This Is It,” the pair were afforded the high praise of a collaboration with acclaimed modern-day jazz-funk bassist Thundercat, on his track “Show You The Way.” Ahead of that, McDonald’s guest appearance with Thundercat at the 2017 Coachella Festival was a viral sensation.

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Setting sail

Like other subgenres that grew from an existing style, just as Americana did from country, the starting point of yacht rock is a matter of endless debate. Some hear it in the early 70s soft rock of Bread and hits such as “Guitar Man,” or in Seals & Crofts, the duo of the same period whose 1973 US Top 10 hit “Diamond Girl” and its follow-up, “We May Never Pass This Way (Again)” are pure, classy, elegantly played and harmonised yacht rock.

As the 70s progressed and album rock radio became an ever more powerful medium in the US music business, studio production grew along with the budgets to fund it. High-fidelity citadels such as Sunset Sound and Ocean Way were the industry epitome of the Los Angeles hedonism of the day, and played host to many of the artists we celebrate here. Perhaps it was the combination of financial independence and the sun-kissed surroundings that gave rise to the phenomenon, but this was music that not only sounded opulent – it made you feel somehow more urbane just by listening to it.

California singer-songwriter Stephen Bishop was another of the artists who would retrospectively become part of what we might call the yachting club. Indeed, it’s important to point out that “yacht rock” was not a term that existed at the time the music was being made. Bishop’s acclaimed 1976 debut album, Careless , was a masterclass in well-crafted pop music for those no longer hanging on the words of every chart pin-up. Its tender opening ballad, “On And On,” which peaked just outside the mainstream US Top 10 and reached No.2 on the Easy Listening chart, is a prime example.

Making waves

McDonald, for his part, might be afforded the questionable honor of the Yacht Rock theme tune with his solo hit “Sweet Freedom,” but had earlier been a key part of the unconscious movement as a member of the Doobie Brothers. The double Grammy-winning landmark “What A Fool Believes,” again written by McDonald with Loggins, stands tall in this hall of fame. Similarly, Toto, another band of master studio craftsmen whose critical and commercial stock has risen again in recent times, stood for all the principles of yacht rock with tracks such as “99” and the undying “Africa.”

That 1982 soft-rock calling card came from the Toto IV album, which was, indeed, recorded in part at Sunset Sound and Ocean Way. But Steely Dan , one of the bands to prove that yacht rock could come from other parts of the US where the attendant lifestyle was less practical, made perhaps their biggest contribution to the subgenre after Walter Becker and Donald Fagen moved back to their native East Coast.

After their initial incarnation as a live band, Steely Dan were well established in their peerless cocoon of pristine studio production when they moved back east. That was after recording 1977’s superb Aja , the album that announced their ever-greater exploration of jazz influences. Fans and critics of the band both used the same word about them, perfectionism: some as a compliment, others as an accusation. But 1980’s equally impressive Gaucho was their yacht rock masterpiece.

Ripple effect

In such a subjective phrase, other artists seen by some as yacht rock representatives, such as Daryl Hall & John Oates, Journey, the Eagles, or even Canada’s Gordon Lightfoot, are thought by others to be creatively or geographically inappropriate, or just too mainstream to break out of the overreaching AOR terminology.

But a significant number of other artists, whose names are less quoted today, had their finest hours during the pop landscape of the late 70s and early 80s that we’ve been visiting here. Amy Holland won a Best New Artist Grammy nomination in 1981 helped by “How Do I Survive,” written by McDonald, whose wife she became soon afterwards. Robbie Dupree, a Brooklyn boy by birth, also epitomized the style with his 1980 US hit “Steal Away.” Then, in 1982, America, the band known for their definitive harmonic rock of a decade earlier, mounted a chart return with the suitably melodic “You Can Do Magic.”

The final word goes to Michael McDonald, the unwitting co-founder of the yacht rock sound. When the aforementioned mockumentary series was at the height of its popularity, he was asked if he had ever owned a yacht, and replied (perhaps disappointingly) in the negative. But, he added, “I thought Yacht Rock was hilarious. And uncannily, you know, those things always have a little bit of truth to them.

“It’s kind of like when you get a letter from a stalker who’s never met you. They somehow hit on something, and you have to admit they’re pretty intuitive.”

Listen to the Soft Rock Forever playlist for more yacht rock classics .

October 28, 2019 at 8:42 pm

if you dig this sound, you gotta check out Yachty by Nature the best yacht rock band on the West Coast. They play it all live without the backing tracks (yuck) that some bands do. They just got voted #1 Best Live Cover Band in Orange County and spreading yacht rock all over the country. Dive in!!! #yachtrock https://yachtybynature.com

October 28, 2019 at 8:44 pm

BTW, great article!!!!! Well written and thoughtfully addressed the idea of Nyacht Rock artists to the purists following the genre!

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Yacht Rock: Album Guide

By David Browne

David Browne

Summer’s here and time is right for dancing … on the deck of a large nautical vessel. During the late Seventies and early Eighties, the radio was dominated by silver-tongued white-dude crooners with names like Rupert and Gerry, emoting over balmy R&B beats, swaying saxes, and dishwasher-clean arrangements. Though it didn’t have a name, the genre — soft rock you could dance to — was dismissed by serious rock fans as fluffy and lame. But thanks to a web series in the mid-2000s, the style — belatedly named “ yacht rock ” — has since spawned a satellite-radio channel, tribute bands, and a Weezer cover of Toto’s “Africa.” Is the modern love of the music ironic or sincere? Hard to say, yet there’s no denying yacht rock is a legit sound with a vibe all its own that produced a surprising amount of enduring music perfectly at home in summer. (John Mayer even tips his own sailor’s hat to the genre on his new “Last Train Home” single, and even the aqua-blue cover of his upcoming Sob Rock album.) The resumption of the Doobie Brothers’ 50th anniversary tour, postponed last year due to COVID-19 but scheduled to restart in August, is the cherry atop the Pina colada.

Boz Scaggs, Silk Degrees (1976)

Before yacht rock was an identifiable genre, Scaggs (no fan of the term, as he told Rolling Stone in 2018) set the standard for what was to come: sharp-dressed white soul, burnished ballads that evoked wine with a quiet dinner, and splashes of Me Decade decadence (the narrator of the pumped “Lido Shuffle” is setting up one more score before leaving the country). Add in the Philly Soul homage “What Can I Say,” the burbling life-on-the-streets homage “Lowdown,” and the lush sway of “Georgia,” and Silk Degrees , internationally or not, set a new high bar for Seventies smoothness.

Steely Dan, Aja (1977)

The sophisticated high-water mark of yacht, Donald Fagen and Walter Becker’s masterpiece is the midway point between jazz and pop, with tricky tempo shifts, interlocking horn and keyboard parts, and pristine solos. Not settling for easygoing period clichés, these love songs, so to speak, are populated by a sleazy movie director (the gorgeous rush of “Peg”), a loser who still hopes to be a jazzman even if the odds are against him (the heart-tugging “Deacon Blues”), and a guy whose nodding-out girlfriend is probably a junkie (“Black Cow”). The most subversive cruise you’ll ever take.

The Doobie Brothers, Minute by Minute (1978)

The Doobies got their start as a biker-y boogie band, but they smoothed things out for Minute by Minute . Highlighted by “What a Fool Believes,” the unstoppable Michael McDonald-Kenny Loggins co-write, the LP piles on romantic turmoil, falsetto harmonies, and plenty of spongy electric piano. But it also proves how much personality and muscle the Doobies could bring to what could be a generic sound. McDonald’s husky, sensitive-guy delivery shrouds the unexpectedly bitter title song (“You will stay just to watch me, darlin’/Wilt away on lies from you”)  and honoring their biker roots, “Don’t Stop to Watch the Wheels” is about taking a lady friend for a ride on your hog.

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Further Listening

Seals & crofts, get closer (1976).

The Dylan-goes-electric moment of yacht, “Get Closer” validated the idea that folkie singer-songwriters could put aside their guitars (and mandolin), tap into their R&B side and cross over in ways they never imagined. In addition to the surprising seductiveness of the title hit, Get Closer has plenty of yacht-rock pleasures. In “Goodbye Old Buddies,” the narrator informs his pals that he can’t hang out anymore now that he’s met “a certain young lady,” but in the next song, “Baby Blue,” another woman is told, “There’s an old friend in me/Tellin’ me I gotta be free.” A good captain follows the tide where it takes him.

Christopher Cross, Christopher Cross  (1979)

Cross’ debut swept the 1981 Grammys for a reason: It’s that rare yacht-rock album that’s graceful, earnest, and utterly lacking in smarm. Songs like the politely seductive “Say You’ll Be Mine” and the forlorn “Never Be the Same” have an elegant pop classicism, and the yacht anthem “Sailing” could be called a powered-down ballad. Fueled by a McDonald cameo expertly parodied on SCTV , the propulsive “Ride Like the Wind” sneaks raw outlaw lyrics (“Lived nine lives/Gunned down ten”) into its breezy groove, perfecting the short-lived gangster-yacht subgenre.

Rupert Holmes, Partners in Crime (1979)

The album that made Holmes a soft-rock star is known for “Escape (The Piña Colada Song),” which sports a made-for-karaoke chorus and a plot twist worthy of a wide-collar O. Henry. But what distinguishes the album is the Steely Dan-level musicianship and Holmes’ ambitious story songs, each sung with Manilow-esque exuberance. The title track equates a hooker and her john to co-workers at a department store, “Lunch Hour” ventures into afternoon-delight territory, and “Answering Machine” finds a conflicted couple trading messages but continually being cut off by those old-school devices.

Steely Dan, Gaucho (1980)

The Dan’s last studio album before a lengthy hiatus doesn’t have the consistency of Aja, but Gaucho cleverly matches their most vacuum-sealed music with their most sordid and pathetic cast of characters. A seedy older guy tries to pick up younger women in “Hey Nineteen,” another loser goes in search of a ménage à trois in “Babylon Sisters,” a coke dealer delivers to a basketball star in “Glamour Profession,” and the narrator of “Time Out of Mind” just wants another heroin high. It’s the dark side of the yacht.

Going Deeper

Michael mcdonald, if that’s what it takes  (1982).

Imagine a Doobie Brothers album entirely comprised of McDonald songs and shorn of pesky guitar solos or Patrick Simmons rockers, and you have a sense of McDonald’s first and best post-Doobs album. If That’s What it Takes builds on the approach he nailed on “What a Fool Believes” but amps up the sullen-R&B side of Mac’s music. His brooding remake of Lieber and Stoller’s “I Keep Forgettin’” is peak McDonald and the title track approaches the propulsion of Christopher Cross’ “Ride Like the Wind.” With his sad-sack intensity, McDonald sounds like guy at a seaside resort chewing over his mistakes and regrets – with, naturally, the aid of an electric piano.

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Kenny Loggins, Keep the Fire (1979)

Loggins’ journey from granola folk rocker to pleasure-boat captain embodies the way rock grew more polished as the Seventies wore on. Anchored by the percolating-coffeemaker rhythms and modestly aggro delivery of “This Is It,” another McDonald collaboration, Keep the Fire sets Loggins’ feathery voice to smooth-jazz saxes and R&B beats, and Michael Jackson harmonies beef up the soul quotient in “Who’s Right, Who’s Wrong.” The secret highlight is “Will It Last,” one of the sneakiest yacht tracks ever, fading to a finish after four minutes, then revving back up with some sweet George Harrison-style slide guitar.

Dr. Hook, Sometimes You Win  (1979)

Earlier in the Seventies, these jokesters established themselves with novelty hits like “The Cover of ‘Rolling Stone,’’ but they soon paddled over to unabashed disco-yacht. Sometimes You Win features three of their oiliest ear worms: “Sexy Eyes,” “When You’re in Love with a Beautiful Woman” and “Better Love Next Time,” all oozing suburban pickup bars and the somewhat desperate dudes who hang out there. The album, alas, does not include “Sharing the Night Together,” recently reborn by way of its sardonic use in last year’s Breaking Bad spinoff El Camino .

Carly Simon, Boys in the Trees  (1978)

As a trailblazing female singer-songwriter, Simon was already a star by the time yacht launched. Boys in the Trees features her beguiling contribution to the genre, “You Belong to Me,” a collaboration with the ubiquitous Michael McDonald. The Doobies cut it first, but Simon’s version adds an air of yearning and hushed desperation that makes it definitive. The album also packs in a yacht-soul cover of James Taylor’s “One Man Woman” and a “lullaby for a wide-eyed guy” called “Tranquillo (Melt My Heart),” all proving that men didn’t have a stranglehold on this style.

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More smooth hits for your next high-seas adventure.

“BREEZIN’”

George Benson, 1976

The guitarist and Jehovah’s Witness made the leap from midlevel jazz act to crossover pop star with a windswept instrumental that conveys the yacht spirit as much as any vocal performance.

“WHATCHA GONNA DO?”

Pablo Cruise, 1976

Carefree bounce from a San Francisco band with the best name ever for a soft-rock act — named, fittingly, after a chill Colorado buddy.

“BAKER STREET”

Gerry Rafferty, 1978

Rafferty brought a deep sense of lonely-walk-by-the-bay melancholy to this epic retelling of a night on the town, in which Raphael Ravenscroft’s immortal sax awakens Rafferty from his morning-after hangover.

“REMINISCING”

Little River Band, 1978

The Aussie soft rockers delivered a slurpy valentine sung in the voice of an old man looking back on his “lifetime plan” with his wife. Innovative twist: flugelhorn solo instead of sax.

“WHENEVER I CALL YOU ‘FRIEND’ ”

Kenny Loggins and Stevie Nicks, 1978

After its ethereal intro, this rare genre duet grows friskier with each verse, with both Loggins and Nicks getting more audibly caught up in the groove — and the idea of “sweet love showing us a heavenly light.”

“LOTTA LOVE”

Nicolette Larson, 1978

Neil Young’s sad-boy shuffle is transformed into a luscious slice of lounge pop by the late Larson. Adding an extra layer of poignancy, she was in a relationship with Young around that time.

“STEAL AWAY”

Robbie Dupree, 1980

Is it real, or is it McDonald? Actually, it’s the best Doobies knockoff — a rinky-dink (but ingratiating) distant cousin to “What a Fool Believes” that almost inspired McDonald to take legal action.

“TAKE IT EASY”

Archie James Cavanaugh, 1980

Cult rarity by the late Alaskan singer-songwriter that crams in everything you’d want in a yacht song: disco-leaning bass, smooth-jazz guitar, sax, and a lyric that lives up to its title even more than the same-titled Eagles song.

“BIGGEST PART OF ME”

Ambrosia, 1980

Ditching the prog-classical leanings of earlier albums, this trio headed straight for the middle of the waterway with this Doobies-lite smash. Bonus points for lyrics that reference a “lazy river.”

“I CAN’T GO FOR THAT (NO CAN DO)”

Daryl Hall and John Oates, 1981

The once unstoppable blue-eyed soul duo were never pure yacht, but the easy-rolling beats and shiny sax in this Number One hit got close. Hall adds sexual tension by never specifying exactly what he can’t go for.

“COOL NIGHT”

Paul Davis, 1981

The Mississippi crooner-songwriter gives a master class on how to heat up a stalled romance: Pick a brisk evening, invite a female acquaintance over, and suggest . . . lighting a fire.

“KEY LARGO”

Bertie Higgins, 1981

Yacht’s very own novelty hit is corny but deserves props for quoting from not one but two Humphrey Bogart films ( Key Largo and Casablanca ).

“AFRICA”

The same year that members of Toto did session work on Michael Jackson’s Thriller, they released the Mount Kilimanjaro of late-yacht hits.

“SOUTHERN CROSS”

Crosby, Stills, and Nash, 1982

The combustible trio’s gusty contribution to the genre has choppy-water rhythms and enough nautical terminology for a sailing manual.

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The Bizarre History Of Yacht Rock Music

Popular music has always been complex. Different musical styles break up into infinite sub-genres — what started off as rock 'n' roll has splintered into dozens of sub-genres, and even the considerably younger musical genre of rap has splintered into several distinct styles. And each of those sub-genres then splinters as musicians innovate and reinvent the form.

None of this is science, though, so it's easy to get lost down rabbit holes when discussing what bands or songs belong in what genre or sub-genre. Yacht rock is a perfect example: None of the artists currently considered to be yacht rockers called themselves that at the time or were even aware that they were carving out a distinct sub-genre of rock music. The whole idea of yacht rock is a modern invention — and yet it perfectly describes a specific type of music that ruled pop culture roughly between 1975 and 1985.

What was yacht rock? It's a soft rock musical style, sometimes called the California sound, exemplified by smoothness and melody — these weren't exactly bangers, but that doesn't mean they were bad. Yacht rock could be very musically complex, incorporating elements of jazz into their compositions. The songs were usually introspective and did not engage with politics or current events at all — they were frictionless. Imagine a wealthy white man sailing on his yacht in 1980, and the music he's listening to in your imagination is what we're talking about. Here's the bizarre history of yacht rock.

The term was coined in 2005

Although the roots of yacht rock arguably go back to the 1960s, the history of yacht rock begins in 2005. That's because prior to that year, the term and concept of yacht rock simply didn't exist.

According to Rolling Stone , it all began on June 26, 2005, when the 12-episode web series "Yacht Rock" was released by Channel 101. As explained by Mental Floss , the series was a lovingly mocking look back at the smooth music of the late 1970s and early 1980s, written and directed by J.D. Ryznar, produced David B. Lyons and Hunter D. Stair, and hosted by Steve Huey, a former editor at AllMusic. MasterClass notes that the series was fictional — it depicted rockers like Kenny Loggins and Michael McDonald as a bunch of goofy friends hanging out and composing the smoothest rock music possible.

Ryznar and company were making gentle fun of those soft rock musicians, but the concept of yacht rock was so obviously appropriate it became viral. They defined it as perfectly produced, with a high level of musicianship and harmonic sophistication (in fact, far from being bad music, many yacht rock songs have been sampled numerous times by modern artists ), and imbued with the vibe and sound of 1970s Los Angeles. Although many yacht rock songs do have nautical references, it's not necessary to be considered yacht rock. 

The roots of yacht rock go back to the 1960s

Although not all yacht rock songs reference the ocean, yachts, or the beach, the distant roots of the sound and the vibe go back to 1961. That's the year The Beach Boys was formed. As noted by Jacobin Magazine , the cheerful fun in the sun beach aesthetic of The Beach Boys' sound provides the fundamental template for yacht rock's sound. What elevated The Beach Boys was the songwriting craft of Brian Wilson — without his subtle genius, all that was left was the perfect production standards and sunny vibe. As noted by Warm 106.9 , the band's classic song "Sloop John B" is often cited as a clear influence on the sailing-obsessed soft rock that hit the charts a decade later.

In fact, as noted by MeTV , The Beach Boys' 1973 song "Sail On, Sailor" is considered a proto-yacht rock song. Because it was co-written by troubled musical genius Brian Wilson, the song isn't really yacht rock, but it holds many of the seeds, from its perfect production to the jazzy complexity hidden under mellow good-time vibes. And everything came full circle in 1988 when The Beach Boys released their Number One hit, "Kokomo," a song Stereogum describes as "extremely boring and self-satisfied yacht-rock." Singer Mark McGrath cites "Kokomo" as probably the last legitimate yacht rock song to ever be released.

Two foundational groups form

It wasn't just the California vibe and sailing imagery that yacht rock took from The Beach Boys. As noted by The Guardian , in the mid-1960s, a man named Daryl Dragon began playing keyboards with The Beach Boys as a backup musician. Dragon had a habit of wearing a ship captain's hat as part of his on-stage costume, underscoring the nautical theme and earning him the nickname "The Captain." According to Jacobin Magazine , Toni Tennille also toured with The Beach Boys. Dragon and Tennille married and, a few years later, formed the group Captain & Tennille, whose Grammy-winning song "Love Will Keep Us Together" is considered one of the earliest yacht rock hits.

Meanwhile, another foundational yacht rock band formed in 1972: Steely Dan . According to  The Seattle Times , part of what defines yacht rock is the people involved. Members of The Doobie Brothers  – especially Michael McDonald, Toto , and Steely Dan tend to be involved in some capacity (songwriting, background vocals, or performing) on most yacht rock songs. This was the inspiration for the original comedy sketch that birthed the whole concept . Steely Dan came to define the perfect production, jazzy musicality, and smooth melody lines of the genre. And as noted by Mental Floss , Steely Dan shared session musicians with many of their musical genre peers, explaining the somewhat similar sound produced by these different groups.

Loggins and Messina broke up in 1976

Many of the pieces that would form yacht rock existed long before the genre coalesced into a recognizable sound and vibe. Kenny Loggins and Jim Messina formed Loggins & Messina in 1971, and according to The Chicago Tribune , their 1975 album "Full Sail" is part of yacht rock legend. The album's cover art depicts Loggins and Messina on an actual yacht, looking pretty relaxed and very California. The album was held up at the very beginning of the "Yacht Rock" series to demonstrate what the creators of the series were talking about.

Loggins & Messina are crucial to the yacht rock story because they broke up. As noted by The Seattle Times , one of the features of yacht rock is the loose collaborations between a small group of musicians — and Kenny Loggins is a key member of that group. Loggins wrote many yacht rock classics recorded and performed by other artists, and Loggins himself often released his own versions of songs he gave to other artists, increasing his influence over the genre.

Loggins, now a free agent, worked with Michael McDonald of the Doobie Brothers several times as the core yacht rock musicians collaborated freely, ensuring a certain uniformity of sound and style that resulted in a recognizable sub-genre.

Steely Dan releases Aja

Mention the band Steely Dan in conjunction with the concept of yacht rock, and many people will have a passionate reaction . Yacht rock is often erroneously believed to be bad music and is frequently conflated with soft rock. But the opposite is true: According to MasterClass , part of what defines yacht rock is the harmonic sophistication and jazz influences of the music. In other words, yacht rock was often composed and recorded at a very high level of musical ability.

That's where Steely Dan comes in. Famed for their complex arrangements and overt jazz influences, the band produced smooth, melodic songs that perfectly captured the late-1970s California vibe. Rolling Stone  considered the band's sixth studio album, "Aja," a pinnacle for the musical genre. The songs are intricate, the production is pristine, and the mood is mellow. Decider  was even more enthusiastic in their praise, establishing the album as essential listening to any fan of yacht rock and notes that by the time Steely Dan (Walter Becker and Donald Fagan) recorded "Aja" they weren't really a band — they were two guys with a lot of session musicians, musicians who often played on other yacht rock bands' recordings, resulting in a similar sound on many of these records. And Michael McDonald of The Doobie Brothers even sings backup on some songs.

U ltimate Classic Rock ranks one of the songs from the "Aja,"  "Peg," as the second-best yacht rock song of all time and describes "Aja" as having "impeccable airtightness that falls somewhere between soft pop and jazz."

The Doobie Brothers release What a Fool Believes

Movements in music and the evolution of sub-genres usually have deep roots that go back invisibly into the past. But they often also have a key moment that clearly marks their beginning. As noted by Mental Floss , for yacht rock, that beginning comes in 1978 with the release of "What a Fool Believes" by The Doobie Brothers.

The song was written by Kenny Loggins and Michael McDonald. Not only did this song kick off the habit of collaboration between the artists that came to define this genre —  IGN pegs it as number three on its list of the best yacht rock songs, describing the song as quirky and mellow, while according to  Smooth Radio , the song is the ultimate example of what makes a yacht rock song. The song was a massive hit for The Doobie Brothers, one of the few non-disco hits that year.

The song is considered so "yachty," in fact, that according to Houstonia Magazine , the "Yacht Rock" series that defined the musical genre kicks off with an episode spoofing the writing of the song. The song is, indeed, kind of the platonic ideal of a yacht rock song: It's musically complex, smooth as heck, and lyrically focused on a lovelorn fool, a frequent topic of yacht rock songs. And, of course, it involves Loggins and McDonald.

Rupert Holmes releases Escape (The Piña Colada Song)

M ark McGrath , the lead singer of Sugar Ray, calls "Escape (The Piña Colada Song)" by Rupert Holmes the ultimate yacht rock song and an inspiration for all future yacht rock songs to follow. The song's connection to the genre is so clear that ABC News reports it was chosen for inclusion in the "NOW That's What I Call Yacht Rock" compilation album.

It's easy to see why the song (and the album containing it, 1979's "Partners in Crime") is what a computer algorithm would create if tasked with composing a yacht rock song. As noted by Rolling Stone , Holmes displays the musicianship of Steely Dan while singing with the exuberance of Barry Manilow. That combination of mellow, smooth delivery and complex song arrangements, and a distinctly California vibe make this an iconic example of yacht rock. As MasterClass notes, the song's clean production links it to other yacht rock songs because it eliminates mistakes or rough spots and offers the illusion of smooth perfection.

The song is also one of the most enduring and well-known yacht rock songs of all time. If you're trying to explain yacht rock to someone, this is the song to use as an example.

The high point of yacht rock: Christopher Cross releases Sailing

The unquestioned high point of yacht rock came in 1980. Songs from bands associated with this genre of music had been big hits before, but that year a yacht rock album dominated pop culture, ensuring that this style of music would be remembered and defined decades later. We're talking about, of course,  "Sailing" by Christopher Cross .

U ltimate Classic Rock reports the song was a smash hit, earning Cross several Grammy Awards, including Record of the Year, Song of the Year, and Best Arrangement. Its yacht rock cred begins with its title and themes — it's literally about sailing, presumably on some sort of yacht (Cross doesn't seem the type to sail on anything less). The song is smooth as glass but extremely complex, combining strings, open-tuned arpeggios, and what Rolling Stone calls "an elegant pop classicism." And as Jacobin Magazine notes, the song features backing vocals from none other than the artistic glue that holds the genre together, Michael McDonald.

"Sailing," and the album it hailed from, remain the most successful examples of yacht rock, a pinnacle of sales and awards both Cross and the genre never managed again. No one knew they were part of the yacht rock movement at the time or that it was all (slowly) downhill from there.

Toto ties it all together

One of the characteristics of yacht rock, as noted by Mental Floss , is the extremely high level of musicianship on the records — largely due to the use of professional session musicians that were shared by yacht rock groups like Steely Dan. In the late 1970s, some of those session musicians decided to form their own band, and Toto was born. This was a key moment: As noted by the man who helped define yacht rock, J.D. Ryznar, one way to identify a yacht rock song is to ask if members of Toto played on it.

In 1982, Toto released "Toto IV," which Smooth Radio noted contains two all-time yacht rock classics in "Rosanna" and "Africa." Vinyl Me, Please calls "Toto IV" a perfect introduction to the musical genre, which makes sense since the members of Toto were involved in so many recordings we now consider to be yacht rock.

But Toto was involved in another project in 1982, one that proves how the yacht rock sound traveled through session musicians: Michael Jackson's "Thriller." As reported by NOW Magazine , Toto was heavily involved with the album, and Toto keyboardist Steve Porcaro even contributed a classic yacht rock track that became the fifth Top Ten song from the album (per Rolling Stone ): "Human Nature." Porcaro originally wrote it for Toto but accidentally included it on a tape of demos for producer Quincy Jones — who immediately loved it.

Kokomo: Yacht rock's last gasp

The heyday of this musical genre was between roughly 1975 and 1985. By the late 1980s, musical tastes had shifted, and most yacht rockers found themselves fading off the charts. But there was one final gasp of the genre in 1988 when the legendary band The Beach Boys released their No.1 hit  on the Billboard Hot 100, "Kokomo." 

Despite its success, the song is widely hated ( Mel Magazine shared their extreme dislike for the song and even Mike Love), but it's definitely a yacht rock song. According to Sugar Ray lead singer Mark McGrath , it's likely the last yacht rock song to be released. By the time The Beach Boys began working on it, however, they weren't too concerned about quality — as noted by EW.com , the band hadn't been on the charts in years, didn't have a record contract, and had been reduced to playing Oldies tours to pay the bills. The band accepted the invitation to contribute a song to the soundtrack of the Tom Cruise and Elisabeth Shue romantic comedy,  "Cocktail"  largely for the money and actually left the composition of the song to John Phillips, Scott McKenzie, and Terry Melcher, giving the song the traditional session-player touch of all yacht rock songs.

The song's yacht rock bona-fides are pretty clear — in fact, as Stereogum notes,  the original demo makes its yacht rock roots very, very clear. But even The Beach Boys' version with its earworm chorus retains the smooth, slickly-produced sound that marks all yacht rock tunes.

The resurgence of yacht rock

After being established as a distinct genre of music by the " Yacht Rock" web series in 2005 , yacht rock enjoyed a period of viral fame. Everyone who came across the term quickly realized it actually made sense to regard these songs as a specific style of soft rock, and there was a lot of buzz around the topic. But all buzz fades, and after a few years, yacht rock was no longer an exciting new idea — it was an accepted truth.

But in recent years, the genre has made a comeback, infiltrating pop culture for the second time. A seminal moment in this comeback was the release of "The Blue Jean Committee" in 2018. As noted by 100.9 The Eagle , "The Blue Jean Committee" is a "mockumentary" that has actually served as an introduction to yacht rock for a whole new generation of people. Esquire reports that the show (and the "fake yacht rock band" at its center) was created by comedians Fred Armisen and Bill Hader for their TV series "Documentary Now!" But they went as far as actually writing songs for the band — and even made a music video showcasing the very yacht rocky song "Catalina Breeze," eventually releasing an entire EP, according to Wired . Suddenly, yacht rock was on everyone's mind again, more than 15 years after the initial phenomenon and more than 40 years since the actual musical era ended.

Yacht rock is modern again

As noted by The Guardian , yacht rock is experiencing a full-on reappraisal. Long considered to be trite and boring, emblematic of the insincere late 1970s and early 1980s era, a new appreciation for the very things that make these songs yacht rock is developing. One key reason is that clear production noted by MasterClass  — yacht rock songs sound timeless and still slap today because they weren't thrown together. The bands spent a lot of time and money and care to make every song sound amazing, which has helped them pass the test of time. And recent years have seen bands like The Yacht Rock Revue achieve surprising success in the genre, as noted by The Atlanta Journal-Constitution .

As InsideHook notes, the rise of Internet culture has helped people rediscover and appreciate yacht rock. Younger generations have grown up in a world where they can listen to anything, any time they want. The result has been a softening of genre edges, and the adoption of old, outdated musical trends. There's a whole new group of soft rock bands that aren't covering yacht rock songs; they're writing new ones.

And as reported by MTV , yacht rock original gangsters are also releasing new music, proving that the genre has fresh legs. According to NPR , in 2017, Kenny Loggins and Michael McDonald collaborated with bassist and singer Thundercat on the song "Show You the Way."  Suffice it to say, this ship (or should we say yacht?) is still sailing. 

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This Is the Definitive Definition of Yacht Rock

By Timothy Malcolm July 12, 2019

Michael McDonald. One might say the smoothest mother in music history.

Image: Randy Miramontez / Shutterstock.com

About 10 years ago , somebody showed me a YouTube video of Michael McDonald and Kenny Loggins writing a song that’s smoother and more polished than anything else on the airwaves.

That video—lovingly spoofing the writing of the Doobie Brothers' 1978 hit “What a Fool Believes”— was the first episode of a series called Yacht Rock . Premiering in 2005 on the Los Angeles-based television incubator Channel 101, Yacht Rock struck a chord with a generation of music nerds who attempt to compartmentalize and categorize the songs they heard as children. The term “yacht rock” itself grew out of the video series, permeating our culture today as much as the music had back in the late 1970s and early '80s.

But here’s the thing about terms that permeate our culture today: They get compromised and bastardized to fit other people’s cozy narratives, typically based on their own nostalgia. Google “yacht rock” and you’ll find articles from across the media spectrum attempting to define the term , failing hard because these writers just don’t get it. There’s even a new BBC series about yacht rock , and while it went into great detail providing context on the emergence of the musical style, it still turned out to be one person’s definition that included songs that were—as some of us might say— nyacht rock.

I’m here to set the record straight—or smooth. Yacht rock is music, primarily created between 1976 and ‘84, that can be characterized as smooth and melodic, and typically combines elements of jazz, rhythm and blues, and rock. You’ll hear very little acoustic guitar (get that “Horse With No Name” out of there) but a lot of Fender Rhodes electric piano. Lyrics don’t get in the way of the song’s usually high musicality (some of the finest Los Angeles session players, including members of the band Toto, play on many yacht rock tunes.) The lyrics may, however, speak about fools. The songs are as light and bubbly as champagne on the high seas, yet oddly complex and intellectual.

And just to hammer this home: Fleetwood Mac is not yacht rock. Daryl Hall & John Oates are 98 percent not yacht rock. Those folkie songs from America, Pure Prairie League, and Crosby, Stills & Nash? Nope. Rupert Holmes's "Escape (The Piña Colada Song)"? Too wordy and not musically interesting—not yacht rock. How about "Summer Breeze" by Seals & Crofts? A little too folky, but close.

I’m not affected by personal nostalgia (I was born in 1984, just as the yacht rock era was ending); instead, I’m an objective music lover who just so happens to have been researching yacht rock for the past several years. I know the men who coined the term “yacht rock” ( they have a great podcast and actually rate whether or not a song is yacht rock ), and they can back me up on this. 

So whether you’re docked for the summer or about to set sail on an adventure, allow me to steer you in the right direction. I've crafted for you the definitive yacht rock playlist—below are a few highlights:

“What a Fool Believes,” The Doobie Brothers

I won’t get any nerdier, I’ll just say that this is the song that epitomizes yacht rock. It’s effortlessly melodic, bouncy, and bright, features a prominent Fender Rhodes electric piano, and includes an ultra-smooth vocal from Michael McDonald.

“Heart to Heart,” Kenny Loggins

Loggins never quite knew whether to be a jazzy folkie or a rocker, but in between those two phases were a couple yachty gems, including this cool breeze on a warm summer day, from the 1982 album High Adventure . Just listen to Loggins’s vocal—it’s butter.

“FM,” Steely Dan

Steely Dan brought a New York edge and a habit of wanting the best players on their records to Los Angeles. In time their sound morphed into the whitest smooth jazz on the planet, aka yacht rock. “FM,” from 1978, has both that snarky exterior and smooth center, but look up the band’s classic albums Aja and Gaucho for a number of yachty delights.

“Human Nature,” Michael Jackson

Once you get to know yacht rock, you can begin traveling into yacht soul—smooth songs from top studio players that lean just a little harder on the R&B. This classic song from the 1982 album Thriller was written and performed by Toto. Jackson provides the gorgeously breezy vocal.

“Rosanna,” Toto

Speaking of Toto, these guys were and still are awesome musicians. The 1982 hit “Rosanna” proves this in spades—the drum shuffle is iconic, the twists are remarkable, and the sound is smoother than a well-sanded skiff.

“Nothin’ You Can Do About It,” Airplay

Who is Airplay? A one-album band created by mega-producer David Foster and session guitarist Jay Graydon. These guys wrote Earth, Wind & Fire’s “After the Love Has Gone,” then this absolute stunner from 1980, a bouncy, giddy, and gentle pop classic.

“I Really Don’t Know Anymore,” Christopher Cross

Emerging out of nowhere with a Grammy-winning album in 1979, Cross is the perfect yacht rock figure, a normal-looking white dude who just so happens to sing like the wind on a summer’s evening. This song, from that debut album, is essential yacht rock with a noticeable background singer—of course, Michael McDonald.

If you want to catch McDonald and sing along to some of his yacht rock classics, he’s performing Friday night at Cynthia Woods Mitchell Pavilion in The Woodlands. Chaka Khan—who also has a few yacht rock tunes in her catalog—will open. Tickets start at $39.50; prepare accordingly with this  summer yacht rock playlist on Spotify . You’re welcome.

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I can go for that: five essential yacht rock classics

Katie Puckrick’s new TV doc reappraises the smooth, sad and seedy side of the maligned genre. Here she reveals the best tracks

• Modern Toss on yacht rock

Christopher Cross: Ride Like the Wind (1979)

With its urgent pace and aim to “make it to the border of Mexico”, Cross sums up the exhilaration of escape so essential to yacht. The power of the genre lies in the longing, so it’s most effective when heard in a landlocked location a million miles away from the nearest marina. Since aspiration crosses class, it doesn’t matter whether one’s home turf is the country club or a trailer park: listening to this song has the same effect – it nurses that ache for freedom.

The Doobie Brothers: What a Fool Believes (1979)

A YR hallmark is “upbeat-downbeat”: an approach that folds life’s bittersweet complexities within happy-snappy musical flourishes. A great example of upbeat-downbeat is this Doobie Brothers classic, showcasing the misplaced optimism of a wounded romantic. Singer Michael McDonald is in full fuzzy-throated throttle. Those are his BVs on Ride Like the Wind, and on any number of Steely Dan tracks, including …

Steely Dan: Hey Nineteen (1980)

The frisson of yacht rock derives from its blend of bourgie feelgood bounce crossed with a shiver of thwarted desire. Steely Dan self-deprecatingly called their work “funked-up muzak” but, lyrically, there are none more acidic than these egghead jazzbos with tales of grown-up screw-ups. Thanks to LA’s session musician elite, Hey Nineteen is polished to a sheen, but the narrator’s regretful realisation that he is too old to mack on teenage girls makes for uneasy listening.

Joni Mitchell: The Hissing of Summer Lawns (1975)

Generally, female musicians didn’t focus their talents on the yacht genre: its palette was too limiting for the era’s sophisticated female artists beyond a song or two. In 1975, Mitchell made what’s considered “accidental yacht rock”. This chilly saga of tarnished love concerns a woman trapped in a big house and a loveless marriage. Mitchell made the misery of rich people seem glamorous, creating “dark yacht” in the process.

Toto: Africa (1982)

By the time the 1980s rolled around, black musicians had reclaimed the surging soul and quiet storm of yacht that was rightfully theirs. Artists such as George Benson, Lionel Richie and Raydio raised the bar by turning this “funked-up muzak” into a dance party. Ironically, an anthem called Africa turned out to be helmed by a clump of the whitest dudes going. With its questing lyrics and triumphant chorus, it became a blockbuster smash for the ages, proving that yacht rock is for ever.

I Can Go for That: The Smooth World of Yacht Rock begins Friday 14 June, 9pm, BBC Four

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Top 50 Yacht Rock Songs

Yacht rock was one of the most commercially successful genres to emerge from the '70s and yet has managed to evade concise definition since its inception. For many listeners, it boils down to a feeling or mood that cannot be found in other kinds of music: Simply put, you know it when you hear it.

Some agreed-upon elements are crucial to yacht rock. One is its fluidity, with more emphasis on a catchy, easy-feeling melody than on beat or rhythm. Another is a generally lighthearted attitude in the lyrics. Think Seals & Crofts ' "Summer Breeze," Christopher Cross ' "Ride Like the Wind" or Bill Withers ' "Just the Two of Us." Yes, as its label suggests, music that would fit perfectly being played from the deck of a luxurious boat on the high seas.

But even these roughly outlined "rules" can be flouted and still considered yacht rock. Plenty of bands that are typically deemed "nyacht" rock have made their attempts at the genre: Crosby, Stills & Nash got a bit nautical with "Southern Cross," leading with their famed tightly knit harmonies, and Fleetwood Mac also entered yacht rock territory with "Dreams" – which, although lyrically dour, offers a sense of melody in line with yacht rock.

Given its undefined parameters, the genre has become one of music's most expansive corners. From No. 1 hits to deeper-cut gems, we've compiled a list of 50 Top Yacht Rock Songs to set sail to below.

50. "Thunder Island," Jay Ferguson (1978)

Younger generations might be more apt to recognize Jay Ferguson from his score for NBC's The Office , where he also portrayed the guitarist in Kevin Malone's band Scrantonicity. But Ferguson's musical roots go back to the '60s band Spirit; he was also in a group with one of the future members of Firefall, signaling a '70s-era shift toward yacht rock and "Thunder Island." The once-ubiquitous single began its steady ascent in October 1977 before reaching the Top 10 in April of the following year. Producer Bill Szymczyk helped it get there by bringing in his buddy Joe Walsh for a soaring turn on the slide. The best showing Ferguson had after this, however, was the quickly forgotten 1979 Top 40 hit "Shakedown Cruise." (Nick DeRiso)

49. "Southern Cross," Crosby, Stills & Nash (1982)

CSN's "Southern Cross" was an example of a more literal interpretation of yacht rock, one in which leftover material was revitalized by Stephen Stills . He sped up the tempo of a song titled " Seven League Boots " originally penned by brothers Rick and Michael Curtis, then laid in new lyrics about, yes, an actual boat ride. "I rewrote a new set of words and added a different chorus, a story about a long boat trip I took after my divorce," Stills said in the liner notes  to 1991's CSN box. "It's about using the power of the universe to heal your wounds." The music video for the song, which went into heavy rotation on MTV, also prominently displayed the band members aboard a large vessel. (Allison Rapp)

48. "Jackie Blue," the Ozark Mountain Daredevils (1974)

Drummer Larry Lee only had a rough idea of what he wanted to do with "Jackie Blue," originally naming it after a bartending dope pusher. For a long time, the Ozark Mountain Daredevils' best-known single remained an instrumental with the place-keeper lyric, " Ooh, ooh, ooh, ooh Jackie Blue. He was dada, and dada doo. He did this, he did that ... ." Producer Glyn Johns, who loved the track, made a key suggestion – and everything finally snapped into place: "No, no, no, mate," Johns told them. "Jackie Blue has to be a girl." They "knocked some new lyrics out in about 30 minutes," Lee said in It Shined: The Saga of the Ozark Mountain Daredevils . "[From] some drugged-out guy, we changed Jackie into a reclusive girl." She'd go all the way to No. 3. (DeRiso)

47. "Sailing," Christopher Cross (1979)

You’d be hard-pressed to find a more quintessential yacht rock song than “Sailing.” The second single (and first chart-topper) off Christopher Cross’ 1979 self-titled debut offers an intoxicating combination of dreamy strings, singsong vocals and shimmering, open-tuned guitar arpeggios that pay deference to Cross’ songwriting idol, Joni Mitchell . “These tunings, like Joni used to say, they get you in this sort of trance,” Cross told Songfacts in 2013. “The chorus just sort of came out. … So I got up and wandered around the apartment just thinking, ‘Wow, that's pretty fuckin' great.’” Grammy voters agreed: “Sailing” won Record of the Year, Song of the Year and Best Arrangement at the 1981 awards. (Bryan Rolli)

46. "Just the Two of Us," Bill Withers and Grover Washington Jr. (1980)

A collaboration between singer Bill Withers and saxophonist Grover Washington Jr. resulted in the sleek "Just the Two of Us." When first approached with the song, Withers insisted on reworking the lyrics. "I'm a little snobbish about words," he said in 2004 . "I said, 'Yeah, if you'll let me go in and try to dress these words up a little bit.' Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The 'Just the Two of Us' thing was already written. It was trying to put a tuxedo on it." The track was completed with some peppy backing vocals and a subtle slap bass part. (Rapp)

45. "Sara Smile," Daryl Hall & John Oates (1975)

It doesn't get much smoother than "Sara Smile," Daryl Hall & John Oates ' first Top 10 hit in the U.S. The song was written for Sara Allen, Hall's longtime girlfriend, whom he had met when she was working as a flight attendant. His lead vocal, which was recorded live, is clear as a bell on top of a velvety bass line and polished backing vocals that nodded to the group's R&B influences. “It was a song that came completely out of my heart," Hall said in 2018 . "It was a postcard. It’s short and sweet and to the point." Hall and Allen stayed together for almost 30 years before breaking up in 2001. (Rapp)

44. "Rosanna," Toto (1982)

One of the most identifiable hits of 1982 was written by Toto co-founder David Paich – but wasn't about Rosanna Arquette, as some people have claimed, even though keyboardist Steve Porcaro was dating the actress at the time. The backbeat laid down by drummer Jeff Porcaro – a "half-time shuffle" similar to what John Bonham played on " Fool in the Rain " – propels the track, while vocal harmonies and emphatic brass sections add further layers. The result is an infectious and uplifting groove – yacht rock at its finest. (Corey Irwin)

43. "Diamond Girl," Seals & Crofts (1973)

Seals & Crofts were soft-rock stylists with imagination, dolling up their saccharine melodies with enough musical intrigue to survive beyond the seemingly obvious shelf life. Granted, the lyrics to “Diamond Girl,” one of the duo’s three No. 6 hits, are as sterile as a surgery-operating room, built on pseudo-romantic nothing-isms ( “Now that I’ve found you, it’s around you that I am” — what a perfectly natural phrase!). But boy, oh boy does that groove sound luxurious beaming out of a hi-fi system, with every nuance — those stacked backing vocals, that snapping piano — presented in full analog glory. (Ryan Reed)

42. "What You Won't Do for Love," Bobby Caldwell (1978)

Smooth. From the opening horn riffs and the soulful keyboard to the funk bass and the velvety vocals of Bobby Caldwell, everything about “What You Won’t Do for Love” is smooth. Released in September 1978, the track peaked at No. 9 on the Billboard Hot 100 and went on to become the biggest hit of Caldwell’s career. It was later given a second life after being sampled for rapper 2Pac's posthumously released 1998 hit single “Do for Love.” (Irwin)

41. "We Just Disagree," Dave Mason (1977)

Dave Mason's ace in the hole on the No. 12 smash "We Just Disagree" was Jim Krueger, who composed the track, shared the harmony vocal and played that lovely guitar figure. "It was a song that when he sang it to me, it was like, 'Yeah, that's the song,'" Mason told Greg Prato in 2014. "Just him and a guitar, which is usually how I judge whether I'm going to do something. If it holds up like that, I'll put the rest of the icing on it." Unfortunately, the multitalented Krueger died of pancreatic cancer at age 43. By then, Mason had disappeared from the top of the charts, never getting higher than No. 39 again. (DeRiso)

40. "Crazy Love," Poco (1978)

Rusty Young was paneling a wall when inspiration struck. He'd long toiled in the shadow of Stephen Stills , Richie Furay and Neil Young , serving in an instrumentalist role with Buffalo Springfield and then Poco . "Crazy Love" was his breakout moment, and he knew it. Rusty Young presented the song before he'd even finished the lyric, but his Poco bandmates loved the way the stopgap words harmonized. "I told the others, 'Don't worry about the ' ooh, ooh, ahhhh haaa ' part. I can find words for that," Young told the St. Louis Dispatch in 2013. "And they said, 'Don't do that. That's the way it's supposed to be.'" It was: Young's first big vocal became his group's only Top 20 hit. (DeRiso)

39. "Suspicions," Eddie Rabbitt (1979)

Eddie Rabbitt 's move from country to crossover stardom was hurtled along by "Suspicions," as a song about a cuckold's worry rose to the Top 20 on both the pop and adult-contemporary charts. Behind the scenes, there was an even clearer connection to yacht rock: Co-writer Even Stevens said Toto's David Hungate played bass on the date. As important as it was for his career, Rabbitt later admitted that he scratched out "Suspicions" in a matter of minutes, while on a lunch break in the studio on the last day of recording his fifth album at Wally Heider's Los Angeles studio. "Sometimes," Rabbitt told the Associated Press in 1985, "the words just fall out of my mouth." (DeRiso)

38. "Moonlight Feels Right," Starbuck (1976)

No sound in rock history is more yacht friendly than Bruce Blackman’s laugh: hilarious, arbitrary, smug, speckled with vocal fry, arriving just before each chorus of Starbuck’s signature tune. Why is this human being laughing? Shrug. Guess the glow of night will do that to you. Then again, this is one of the more strange hits of the '70s — soft-pop hooks frolicking among waves of marimba and synthesizers that could have been plucked from a classic prog epic. “ The eastern moon looks ready for a wet kiss ,” Blackman croons, “ to make the tide rise again .” It’s a lunar make-out session, baby. (Reed)

37. "Same Old Lang Syne," Dan Fogelberg (1981)

“Same Old Lang Syne” is a masterclass in economic storytelling, and its tragedy is in the things both protagonists leave unsaid. Dan Fogelberg weaves a devastating tale of two former lovers who run into each other at a grocery store on Christmas Eve and spend the rest of the night catching up and reminiscing. Their circumstances have changed — he’s a disillusioned professional musician, she’s stuck in an unhappy marriage — but their love for each other is still palpable if only they could overcome their fears and say it out loud. They don’t, of course, and when Fogelberg bids his high-school flame adieu, he’s left with only his bittersweet memories and gnawing sense of unfulfillment to keep him warm on that snowy (and later rainy) December night. (Rolli)

36. "Eye in the Sky," the Alan Parsons Project (1982)

Few songs strike a chord with both prog nerds and soft-rock enthusiasts, but the Alan Parsons Project's “Eye in the Sky” belongs to that exclusive club. The arrangement is all smooth contours and pillowy textures: By the time Eric Woolfson reaches the chorus, shyly emoting about romantic deception over a bed of Wurlitzer keys and palm-muted riffs, the effect is like falling slow motion down a waterfall onto a memory foam mattress. But there’s artfulness here, too, from Ian Bairnson’s seductive guitar solo to the titular phrase conjuring some kind of god-like omniscience. (Reed)

35. "Somebody's Baby," Jackson Browne (1982)

Jackson Browne 's highest-charting single, and his last Top 10 hit, was originally tucked away on the soundtrack for the 1982 teen comedy Fast Times at Ridgemont High . That placed Browne, one of the most earnest of singer-songwriters, firmly out of his element. "It was not typical of what Jackson writes at all, that song," co-composer Danny Kortchmar told Songfacts in 2013. "But because it was for this movie, he changed his general approach and came up with this fantastic song." Still unsure of how it would fit in, Browne refused to place "Somebody's Baby" on his next proper album – something he'd later come to regret . Lawyers in Love broke a string of consecutive multiplatinum releases dating back to 1976. (DeRiso)

34. "Still the One," Orleans (1976)

Part of yacht rock’s charm is being many things but only to a small degree. Songs can be jazzy, but not experimental. Brass sections are great but don’t get too funky. And the songs should rock, but not rock . In that mold comes Orleans’ 1976 hit “Still the One.” On top of a chugging groove, frontman John Hall sings about a romance that continues to stand the test of time. This love isn’t the white-hot flame that leaves passionate lovers burned – more like a soft, medium-level heat that keeps things comfortably warm. The tune is inoffensive, catchy and fun, aka yacht-rock gold. (Irwin)

33. "New Frontier," Donald Fagen (1982)

In which an awkward young man attempts to spark a Cold War-era fling — then, hopefully, a longer, post-apocalyptic relationship — via bomb shelter bunker, chatting up a “big blond” with starlet looks and a soft spot for Dave Brubeck. Few songwriters could pull off a lyrical concept so specific, and almost no one but Donald Fagen could render it catchy. “New Frontier,” a signature solo cut from the Steely Dan maestro, builds the sleek jazz-funk of Gaucho into a more digital-sounding landscape, with Fagen stacking precise vocal harmonies over synth buzz and bent-note guitar leads. (Reed)

32. "Sail On, Sailor," the Beach Boys (1973)

The Beach Boys were reworking a new album when Van Dyke Parks handed them this updated version of an unfinished Brian Wilson song. All that was left was to hand the mic over to Blondie Chaplin for his greatest-ever Beach Boys moment. They released "Sail On, Sailor" twice, however, and this yearning groover somehow barely cracked the Top 50. Chaplin was soon out of the band, too. It's a shame. "Sail On, Sailor" remains the best example of how the Beach Boys' elemental style might have kept growing. Instead, Chaplin went on to collaborate with the Band , Gene Clark of the  Byrds  and the Rolling Stones – while the Beach Boys settled into a lengthy tenure as a jukebox band. (DeRiso)

31. "Time Passages," Al Stewart (1978)

Al Stewart followed up the first hit single of his decade-long career – 1976's "Year of the Cat" – with a more streamlined take two years later. "Time Passages" bears a similar structure to the earlier track, including a Phil Kenzie sax solo and production by Alan Parsons. While both songs' respective album and single versions coincidentally run the same time, the 1978 hit's narrative wasn't as convoluted and fit more squarely into pop radio playlists. "Time Passages" became Stewart's highest-charting single, reaching No. 7 – while "Year of the Cat" had stalled at No. 8. (Michael Gallucci)

30. "I Go Crazy," Paul Davis (1977)

Paul Davis looked like he belonged in the Allman Brothers Band , but his soft, soulful voice took him in a different direction. The slow-burning nature of his breakthrough single "I Go Crazy" was reflected in its chart performance: For years the song held the record for the most weeks spent on the chart, peaking at No. 7 during its 40-week run. Davis, who died in 2008, took five more songs into the Top 40 after 1977, but "I Go Crazy" is his masterpiece – a wistful and melancholic look back at lost love backed by spare, brokenhearted verses. (Gallucci)

29. "Biggest Part of Me," Ambrosia (1980)

Songwriter David Pack taped the original demo of this song on a reel-to-reel when everyone else was running late, finishing just in time: "I was waiting for my family to get in the car so I could go to a Fourth of July celebration in Malibu," he told the Tennessean in 2014. "I turned off my machine [and] heard the car horn honking for me." Still, Pack was worried that the hastily written first verse – which rhymed " arisin ,'" " horizon " and " realizin '" – might come off a little corny. So he followed the time-honored yacht-rock tradition of calling in Michael McDonald to sing heartfelt background vocals. Result: a Top 5 hit on both the pop and adult-contemporary charts. (DeRiso)

28. "Africa," Toto (1982)

Remove the cover versions, the nostalgia sheen and its overuse in TV and films, and you’re left with what makes “Africa” great: one of the best earworm choruses in music history. Never mind that the band is made up of white guys from Los Angeles who'd never visited the titular continent. Verses about Mt. Kilimanjaro and the Serengeti paint a picture so vivid that listeners are swept away. From the soaring vocals to the stirring synth line, every element of the song works perfectly. There’s a reason generations of music fans continue to proudly bless the rains. (Irwin)

27. "Hello It's Me," Todd Rundgren (1972)

“Hello It’s Me” is the first song Todd Rundgren ever wrote, recorded by his band Nazz and released in 1968. He quickened the tempo, spruced up the instrumentation and delivered a more urgent vocal for this 1972 solo rendition (which became a Top 5 U.S. hit), but the bones of the tune remain the same. “Hello It’s Me” is a wistful, bittersweet song about the dissolution of a relationship between two people who still very much love and respect each other a clear-eyed breakup ballad lacking the guile, cynicism and zaniness of Rundgren’s later work. “The reason those [early] songs succeeded was because of their derivative nature,” Rundgren told Guitar World in 2021. “They plugged so easily into audience expectations. They’re easily absorbed.” That may be so, but there’s still no denying the airtight hooks and melancholy beauty of “Hello It’s Me.” (Rolli)

26. "Smoke From a Distant Fire," the Sanford/Townsend Band (1977)

There are other artists who better define yacht rock - Michael McDonald, Steely Dan, Christopher Cross - but few songs rival the Sanford/Townsend Band's "Smoke From a Distant Fire" as a more representative genre track. (It was a Top 10 hit in the summer of 1977. The duo never had another charting single.) From the vaguely swinging rhythm and roaring saxophone riff to the light percussion rolls and risk-free vocals (that nod heavily to Daryl Hall and John Oates' blue-eyed soul), "Smoke" may be the most definitive yacht rock song ever recorded. We may even go as far as to say it's ground zero. (Gallucci)

25. "Dream Weaver," Gary Wright (1975)

Unlike many other songs on our list, “Dream Weaver” lacks lush instrumentation. Aside from Gary Wright’s vocals and keyboard parts, the only added layer is the drumming of Jim Keltner. But while the track may not have guitars, bass or horns, it certainly has plenty of vibes. Inspired by the writings of Paramahansa Yogananda – which Wright was turned on to by George Harrison – “Dream Weaver” boasts a celestial aura that helped the song peak at No. 2 in 1976. (Irwin)

24. "Reminiscing," Little River Band (1978)

The third time was the charm with Little River Band 's highest-charting single in the U.S. Guitarist Graeham Goble wrote "Reminiscing" for singer Glenn Shorrock with a certain keyboardist in mind. Unfortunately, they weren't able to schedule a session with Peter Jones, who'd played an important role in Little River Band's first-ever charting U.S. single, 1976's "It's a Long Way There ." They tried it anyway but didn't care for the track. They tried again, with the same results. "The band was losing interest in the song," Goble later told Chuck Miller . "Just before the album was finished, Peter Jones came back into town, [and] the band and I had an argument because I wanted to give 'Reminiscing' a third chance." This time they nailed it. (DeRiso)

23. "Heart Hotels," Dan Fogelberg (1979)

Ironically enough, this song about debilitating loneliness arrived on an album in which Dan Fogelberg played almost all of the instruments himself. A key concession to the outside world became the most distinctive musical element on "Heart Hotels," as well-known saxophonist Tom Scott took a turn on the Lyricon – a pre-MIDI electronic wind instrument invented just a few years earlier. As for the meaning of sad songs like these, the late Fogelberg once said : "I feel experiences deeply, and I have an outlet, a place where I can translate those feelings. A lot of people go to psychoanalysts. I write songs." (DeRiso)

22. "Year of the Cat," Al Stewart (1976)

Just about every instrument imaginable can be heard in Al Stewart's "Year of the Cat." What begins with an elegant piano intro winds its way through a string section and a sultry sax solo, then to a passionate few moments with a Spanish acoustic guitar. The sax solo, often a hallmark of yacht-rock songs, was not Stewart's idea. Producer Alan Parsons suggested it at the last minute, and Stewart thought it was the "worst idea I'd ever heard. I said, 'Alan, there aren’t any saxophones in folk-rock. Folk-rock is about guitars. Sax is a jazz instrument,'" Stewart said in 2021 . Multiple lengthy instrumental segments bring the song to nearly seven minutes, yet each seems to blend into the next like a carefully arranged orchestra. (Rapp)

21. "How Long," Ace (1974)

How long does it take to top the charts? For the Paul Carrack-fronted Ace: 45 years . "I wrote the lyric on the bus going to my future mother-in-law's," he later told Gary James . "I wrote it on the back of that bus ticket. That's my excuse for there only being one verse." Ace released "How Long" in 1975, reaching No. 3, then Carrack moved on to stints with Squeeze and Mike and the Mechanics . Finally, in 2020, "How Long" rose two spots higher, hitting No. 1 on Billboard's rock digital song sales chart after being featured in an Amazon Prime advertisement titled "Binge Cheat." (DeRiso)

20. "Brandy (You're a Fine Girl)," Looking Glass (1972)

Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town pre-dates the classic yacht-rock era. Consider acts like Seals & Crofts and these one-hit wonders pioneers of the genre. Ironically, the effortless-sounding "Brandy (You're a Fine Girl)" was quite difficult to complete. "We recorded 'Brandy' two or three different times with various producers before we got it right," Looking Glass' principal songwriter Elliot Lurie told the Tennessean in 2016. The chart-topping results became so popular so fast, however, that Barry Manilow had to change the title of a new song he was working on to " Mandy ." (DeRiso)

19. "I Can't Tell You Why," Eagles (1979)

Timothy B. Schmit joined just in time to watch the  Eagles disintegrate. But things couldn't have started in a better place for the former Poco member. He arrived with the makings of his first showcase moment with the group, an unfinished scrap that would become the No. 8 hit "I Can't Tell You Why." For a moment, often-contentious band members rallied around the outsider. Don Henley and Glenn Frey both made key contributions, as Eagles completed the initial song on what would become 1979's The Long Run . Schmit felt like he had a reason to be optimistic. Instead, Eagles released the LP and then promptly split up. (DeRiso)

18. "Sentimental Lady," Bob Welch (1977)

Bob Welch  first recorded "Sentimental Lady" in 1972 as a member of Fleetwood Mac . Five years later, after separating from a band that had gone on to way bigger things , Welch revisited one of his best songs and got two former bandmates who appeared on the original version – Mick Fleetwood and Christine McVie – to help out (new Mac member Lindsey Buckingham also makes an appearance). This is the better version, warmer and more inviting, and it reached the Top 10. (Gallucci)

17. "So Into You," Atlanta Rhythm Section (1976)

Atlanta Rhythm Section is often wrongly categorized as a Southern rock band, simply because of their roots in Doraville, Ga. Songs like the seductively layered "So Into You" illustrate how little they had in common with the likes of Lynyrd Skynyrd . As renowned Muscle Shoals sessions ace David Hood once said, they're more like the " Steely Dan of the South ." Unfortunately, time hasn't been kind to the group. Two of this best-charting single's writers have since died , while keyboardist Dean Daughtry retired in 2019 as Atlanta Rhythm Section's last constant member. (DeRiso)

16. "Dreams," Fleetwood Mac (1977)

Stevie Nicks was trying to channel the heartbreak she endured after separating from Lindsey Buckingham into a song, but couldn't concentrate among the bustle of Fleetwood Mac's sessions for Rumours . "I was kind of wandering around the studio," she later told Yahoo! , "looking for somewhere I could curl up with my Fender Rhodes and my lyrics and a little cassette tape recorder." That's when she ran into a studio assistant who led her to a quieter, previously unseen area at Sausalito's Record Plant. The circular space was surrounded by keyboards and recording equipment, with a half-moon bed in black-and-red velvet to one side. She settled in, completing "Dreams" in less than half an hour, but not before asking the helpful aide one pressing question: "I said, 'What is this?' And he said, 'This is Sly Stone 's studio.'" (DeRiso)

15. "Minute by Minute," the Doobie Brothers (1978)

Michael McDonald was so unsure of this album that he nervously previewed it for a friend. "I mean, all the tunes have merit, but I don't know if they hang together as a record," McDonald later told UCR. "He looked at me and he said, 'This is a piece of shit.'" Record buyers disagreed, making Minute by Minute the Doobie Brothers' first chart-topping multiplatinum release. Such was the mania surrounding this satiny-smooth LP that the No. 14 hit title track lost out on song-of-the-year honors at the Grammys to "What a Fool Believes" (found later in our list of Top 50 Yacht Rock Songs) by the Doobie Brothers. (DeRiso)

14. "Lonely Boy," Andrew Gold (1976)

Andrew Gold’s only Top 10 U.S. hit is a story of parental neglect and simmering resentment, but those pitch-black details are easy to miss when couched inside such a deliciously upbeat melody. Gold chronicles the childhood of the titular lonely boy over a propulsive, syncopated piano figure, detailing the betrayal he felt when his parents presented him with a sister two years his junior. When he turns 18, the lonely boy ships off to college and leaves his family behind, while his sister gets married and has a son of her own — oblivious to the fact that she’s repeating the mistakes of her parents. Gold insisted “Lonely Boy” wasn’t autobiographical, despite the details in the song matching up with his own life. In any case, you can’t help but wonder what kind of imagination produces such dark, compelling fiction. (Rolli)

13. "Baby Come Back," Player (1977)

Liverpool native Peter Beckett moved to the States, originally to join a forgotten act called Skyband. By the time he regrouped to found Player with American J.C. Crowley, Beckett's wife had returned to England. Turns out Crowley was going through a breakup, too, and the Beckett-sung "Baby Come Back" was born. "So it was a genuine song, a genuine lyric – and I think that comes across in the song," Beckett said in The Yacht Rock Book . "That's why it was so popular." The demo earned Player a hastily signed record deal, meaning Beckett and Crowley had to assemble a band even as "Baby Come Back" rose to No. 1. Their debut album was released before Player had ever appeared in concert. (DeRiso)

12. "I'd Really Love to See You Tonight," England Dan & John Ford Coley (1976)

There aren't too many songs with choruses as big as the one England Dan & John Ford Coley pump into the key lines of their first Top 40 single. Getting there is half the fun: The conversational verses – " Hello, yeah, it's been a while / Not much, how 'bout you? / I'm not sure why I called / I guess I really just wanted to talk to you " – build into the superpowered come-on line " I'm not talking 'bout moving in ...  ." Their yacht-rock pedigree is strong: Dan Seals' older brother is Seals & Croft's Jim Seals. (Gallucci)

11. "Hey Nineteen," Steely Dan (1980)

At least on the surface, “Hey Nineteen” is one of Steely Dan’s least ambiguous songs: An over-the-hill guy makes one of history’s most cringe-worthy, creepiest pick-up attempts, reminiscing about his glory days in a fraternity and lamenting that his would-be companion doesn’t know who Aretha Franklin is. (The bridge is a bit tougher to crack. Is anyone sharing that “fine Colombian”?) But the words didn’t propel this Gaucho classic into Billboard's Top 10. Instead, that credit goes to the groove, anchored by Walter Becker ’s gently gliding bass guitar, Donald Fagen’s velvety electric piano and a chorus smoother than top-shelf Cuervo Gold. (Reed)

10. "Rich Girl," Daryl Hall & John Oates (1976)

It’s one of the most economical pop songs ever written: two A sections, two B sections (the second one extended), a fade-out vocal vamp. In and out. Wham, bam, boom. Perhaps that's why it’s easy to savor “Rich Girl” 12 times in a row during your morning commute, why hearing it just once on the radio is almost maddening. This blue-eyed-soul single, the duo’s first No. 1 hit, lashes out at a supposedly entitled heir to a fast-food chain. (The original lyric was the less-catchy “rich guy ”; that one change may have earned them millions.) But there’s nothing bitter about that groove, built on Hall’s electric piano stabs and staccato vocal hook. (Reed)

9. "Fooled Around and Fell in Love," Elvin Bishop (1975)

Elvin Bishop made his biggest pop-chart splash with "Fooled Around and Fell In Love," permanently changing the first line of his bio from a  former member of the Paul Butterfield Blues Band to a solo star in his own right. There was only one problem: "The natural assumption was that it was Elvin Bishop who was singing,” singer  Mickey Thomas told the Tahoe Daily Tribune in 2007. Thomas later found even greater chart success with Starship alongside Donny Baldwin, who also played drums on Bishop's breakthrough single. "A lot of peers found out about me through that, and ultimately I did get credit for it," Thomas added. "It opened a lot of doors for me." (DeRiso)

8. "Baker Street," Gerry Rafferty (1978)

Gerry Rafferty already had a taste of success when his band Stealers Wheel hit the Top 10 with the Dylanesque "Stuck in the Middle With You" in 1973. His first solo album after the group's split, City to City , made it to No. 1 in 1978, thanks in great part to its hit single "Baker Street" (which spent six frustrating weeks at No. 2). The iconic saxophone riff by Raphael Ravenscroft gets much of the attention, but this single triumphs on many other levels. For six, mood-setting minutes Rafferty winds his way down "Baker Street" with a hopefulness rooted in eternal restlessness. (Gallucci)

7. "Dirty Work," Steely Dan (1972)

In just about three minutes, Steely Dan tells a soap-opera tale of an affair between a married woman and a man who is well aware he's being played but is too hopelessly hooked to end things. " When you need a bit of lovin' 'cause your man is out of town / That's the time you get me runnin' and you know I'll be around ," singer David Palmer sings in a surprisingly delicate tenor. A saxophone and flugelhorn part weeps underneath his lines. By the time the song is over, we can't help but feel sorry for the narrator who is, ostensibly, just as much part of the problem as he could be the solution. Not all yacht rock songs have happy endings. (Rapp)

6. "Ride Like the Wind," Christopher Cross (1979)

“Ride Like the Wind” is ostensibly a song about a tough-as-nails outlaw racing for the border of Mexico under cover of night, but there’s nothing remotely dangerous about Christopher Cross’ lithe tenor or the peppy piano riffs and horns propelling the tune. Those contradictions aren’t a detriment. This is cinematic, high-gloss pop-rock at its finest, bursting at the seams with hooks and elevated by Michael McDonald’s silky backing vocals. Cross nods to his Texas roots with a fiery guitar solo, blending hard rock and pop in a way that countless artists would replicate in the next decade. (Rolli)

5. "Summer Breeze," Seals & Crofts (1972)

Jim Seals and Dash Crofts were childhood friends in Texas, but the mellow grandeur of "Summer Breeze" makes it clear that they always belonged in '70s-era Southern California. "We operate on a different level," Seals once said , sounding like nothing if not a Laurel Canyon native. "We try to create images, impressions and trains of thought in the minds of our listeners." This song's fluttering curtains, welcoming domesticity and sweet jasmine certainly meet that standard. For some reason, however, they released this gem in August 1972 – as the season faded into fall. Perhaps that's why "Summer Breeze" somehow never got past No. 6 on the pop chart. (DeRiso)

4. "Lowdown," Boz Scaggs (1976)

As you throw on your shades and rev the motor, the only thing hotter than the afternoon sun is David Hungate’s sweet slap-bass blasting from the tape deck. “This is the good life,” you say to no one in particular, casually tipping your baseball cap to the bikini-clad crew on the boat zooming by. Then you press “play” again. What else but Boz Scaggs ’ silky “Lowdown” could soundtrack such a moment in paradise? Everything about this tune, which cruised to No. 3 on the Billboard Hot 100, is equally idyllic: Jeff Porcaro’s metronomic hi-hat pattern, David Paich’s jazzy keyboard vamp, the cool-guy croon of Scaggs — flexing about gossip and “schoolboy game.” You crack open another cold one — why not? And, well, you press play once more. (Reed)

3. "Lido Shuffle," Boz Scaggs (1976)

Scaggs' storied career began as a sideman with Steve Miller  and already included a scorching duet with Duane Allman . Co-writer David Paich would earn Grammy-winning stardom with songs like "Africa." Yet they resorted to theft when it came to this No. 11 smash. Well, in a manner of speaking: "'Lido' was a song that I'd been banging around, and I kind of stole – well, I didn't steal anything. I just took the idea of the shuffle," Scaggs told Songfacts in 2013. "There was a song that Fats Domino did called 'The Fat Man ' that had a kind of driving shuffle beat that I used to play on the piano, and I just started kind of singing along with it. Then I showed it to Paich, and he helped me fill it out." Then Paich took this track's bassist and drummer with him to form Toto. (DeRiso)

2. "Peg," Steely Dan (1977)

"Peg" is blessed with several yacht-rock hallmarks: a spot on Steely Dan's most Steely Dan-like album, Aja , an impeccable airtightness that falls somewhere between soft-pop and jazz and yacht rock's stalwart captain, Michael McDonald, at the helm. (He may be a mere backing singer here, but his one-note chorus chirps take the song to another level.) Like most Steely Dan tracks, this track's meaning is both cynical and impenetrable, and its legacy has only grown over the years – from hip-hop samples to faithful cover versions. (Gallucci)

1. "What a Fool Believes," the Doobie Brothers (1978)

Michael McDonald not only steered the Doobie Brothers in a new direction when he joined in 1975, but he also made them a commercial powerhouse with the 1978 album Minute by Minute . McDonald co-wrote "What a Fool Believes" – a No. 1 single; the album topped the chart, too – with Kenny Loggins and sang lead, effectively launching a genre in the process. The song's style was copied for the next couple of years (most shamelessly in Robbie Dupree's 1980 Top 10 "Steal Away"), and McDonald became the bearded face of yacht rock. (Gallucci)

Top 100 Classic Rock Artists

Gallery Credit: UCR Staff

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The Moscow Metro Museum of Art: 10 Must-See Stations

There are few times one can claim having been on the subway all afternoon and loving it, but the Moscow Metro provides just that opportunity.  While many cities boast famous public transport systems—New York’s subway, London’s underground, San Salvador’s chicken buses—few warrant hours of exploration.  Moscow is different: Take one ride on the Metro, and you’ll find out that this network of railways can be so much more than point A to B drudgery.

The Metro began operating in 1935 with just thirteen stations, covering less than seven miles, but it has since grown into the world’s third busiest transit system ( Tokyo is first ), spanning about 200 miles and offering over 180 stops along the way.  The construction of the Metro began under Joseph Stalin’s command, and being one of the USSR’s most ambitious building projects, the iron-fisted leader instructed designers to create a place full of svet (radiance) and svetloe budushchee (a radiant future), a palace for the people and a tribute to the Mother nation.

Consequently, the Metro is among the most memorable attractions in Moscow.  The stations provide a unique collection of public art, comparable to anything the city’s galleries have to offer and providing a sense of the Soviet era, which is absent from the State National History Museum.  Even better, touring the Metro delivers palpable, experiential moments, which many of us don’t get standing in front of painting or a case of coins.

Though tours are available , discovering the Moscow Metro on your own provides a much more comprehensive, truer experience, something much less sterile than following a guide.  What better place is there to see the “real” Moscow than on mass transit: A few hours will expose you to characters and caricatures you’ll be hard-pressed to find dining near the Bolshoi Theater.  You become part of the attraction, hear it in the screech of the train, feel it as hurried commuters brush by: The Metro sucks you beneath the city and churns you into the mix.

With the recommendations of our born-and-bred Muscovite students, my wife Emma and I have just taken a self-guided tour of what some locals consider the top ten stations of the Moscow Metro. What most satisfied me about our Metro tour was the sense of adventure .  I loved following our route on the maps of the wagon walls as we circled the city, plotting out the course to the subsequent stops; having the weird sensation of being underground for nearly four hours; and discovering the next cavern of treasures, playing Indiana Jones for the afternoon, piecing together fragments of Russia’s mysterious history.  It’s the ultimate interactive museum.

Top Ten Stations (In order of appearance)

Kievskaya station.

Kievskaya Station went public in March of 1937, the rails between it and Park Kultury Station being the first to cross the Moscow River.  Kievskaya is full of mosaics depicting aristocratic scenes of Russian life, with great cameo appearances by Lenin, Trotsky, and Stalin.  Each work has a Cyrillic title/explanation etched in the marble beneath it; however, if your Russian is rusty, you can just appreciate seeing familiar revolutionary dates like 1905 ( the Russian Revolution ) and 1917 ( the October Revolution ).

Mayakovskaya Station

Mayakovskaya Station ranks in my top three most notable Metro stations. Mayakovskaya just feels right, done Art Deco but no sense of gaudiness or pretention.  The arches are adorned with rounded chrome piping and create feeling of being in a jukebox, but the roof’s expansive mosaics of the sky are the real showstopper.  Subjects cleverly range from looking up at a high jumper, workers atop a building, spires of Orthodox cathedrals, to nimble aircraft humming by, a fleet of prop planes spelling out CCCP in the bluest of skies.

Novoslobodskaya Station

Novoslobodskaya is the Metro’s unique stained glass station.  Each column has its own distinctive panels of colorful glass, most of them with a floral theme, some of them capturing the odd sailor, musician, artist, gardener, or stenographer in action.  The glass is framed in Art Deco metalwork, and there is the lovely aspect of discovering panels in the less frequented haunches of the hall (on the trackside, between the incoming staircases).  Novosblod is, I’ve been told, the favorite amongst out-of-town visitors.

Komsomolskaya Station

Komsomolskaya Station is one of palatial grandeur.  It seems both magnificent and obligatory, like the presidential palace of a colonial city.  The yellow ceiling has leafy, white concrete garland and a series of golden military mosaics accenting the tile mosaics of glorified Russian life.  Switching lines here, the hallway has an Alice-in-Wonderland feel, impossibly long with decorative tile walls, culminating in a very old station left in a remarkable state of disrepair, offering a really tangible glimpse behind the palace walls.

Dostoevskaya Station

Dostoevskaya is a tribute to the late, great hero of Russian literature .  The station at first glance seems bare and unimpressive, a stark marble platform without a whiff of reassembled chips of tile.  However, two columns have eerie stone inlay collages of scenes from Dostoevsky’s work, including The Idiot , The Brothers Karamazov , and Crime and Punishment.   Then, standing at the center of the platform, the marble creates a kaleidoscope of reflections.  At the entrance, there is a large, inlay portrait of the author.

Chkalovskaya Station

Chkalovskaya does space Art Deco style (yet again).  Chrome borders all.  Passageways with curvy overhangs create the illusion of walking through the belly of a chic, new-age spacecraft.  There are two (kos)mosaics, one at each end, with planetary subjects.  Transferring here brings you above ground, where some rather elaborate metalwork is on display.  By name similarity only, I’d expected Komsolskaya Station to deliver some kosmonaut décor; instead, it was Chkalovskaya that took us up to the space station.

Elektrozavodskaya Station

Elektrozavodskaya is full of marble reliefs of workers, men and women, laboring through the different stages of industry.  The superhuman figures are round with muscles, Hollywood fit, and seemingly undeterred by each Herculean task they respectively perform.  The station is chocked with brass, from hammer and sickle light fixtures to beautiful, angular framework up the innards of the columns.  The station’s art pieces are less clever or extravagant than others, but identifying the different stages of industry is entertaining.

Baumanskaya Statio

Baumanskaya Station is the only stop that wasn’t suggested by the students.  Pulling in, the network of statues was just too enticing: Out of half-circle depressions in the platform’s columns, the USSR’s proud and powerful labor force again flaunts its success.  Pilots, blacksmiths, politicians, and artists have all congregated, posing amongst more Art Deco framing.  At the far end, a massive Soviet flag dons the face of Lenin and banners for ’05, ’17, and ‘45.  Standing in front of the flag, you can play with the echoing roof.

Ploshchad Revolutsii Station

Novokuznetskaya Station

Novokuznetskaya Station finishes off this tour, more or less, where it started: beautiful mosaics.  This station recalls the skyward-facing pieces from Mayakovskaya (Station #2), only with a little larger pictures in a more cramped, very trafficked area.  Due to a line of street lamps in the center of the platform, it has the atmosphere of a bustling market.  The more inventive sky scenes include a man on a ladder, women picking fruit, and a tank-dozer being craned in.  The station’s also has a handsome black-and-white stone mural.

Here is a map and a brief description of our route:

Start at (1)Kievskaya on the “ring line” (look for the squares at the bottom of the platform signs to help you navigate—the ring line is #5, brown line) and go north to Belorusskaya, make a quick switch to the Dark Green/#2 line, and go south one stop to (2)Mayakovskaya.  Backtrack to the ring line—Brown/#5—and continue north, getting off at (3)Novosblodskaya and (4)Komsolskaya.  At Komsolskaya Station, transfer to the Red/#1 line, go south for two stops to Chistye Prudy, and get on the Light Green/#10 line going north.  Take a look at (5)Dostoevskaya Station on the northern segment of Light Green/#10 line then change directions and head south to (6)Chkalovskaya, which offers a transfer to the Dark Blue/#3 line, going west, away from the city center.  Have a look (7)Elektroskaya Station before backtracking into the center of Moscow, stopping off at (8)Baumskaya, getting off the Dark Blue/#3 line at (9)Ploschad Revolyutsii.  Change to the Dark Green/#2 line and go south one stop to see (10)Novokuznetskaya Station.

Check out our new Moscow Indie Travel Guide , book a flight to Moscow and read 10 Bars with Views Worth Blowing the Budget For

Jonathon Engels, formerly a patron saint of misadventure, has been stumbling his way across cultural borders since 2005 and is currently volunteering in the mountains outside of Antigua, Guatemala.  For more of his work, visit his website and blog .

Photo credits:   SergeyRod , all others courtesy of the author and may not be used without permission

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This is a mass-produced replica of a famous miracle-working icon of the Virgin and Child, brought to Russia from Byzatium in the 12th century, known as the "Virgin of Vladimir", and currently kept in Moscow (State Tretyakov Gallery). The Virgin and Child are each identified by abbreviated inscriptions.

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Henry Walters, Baltimore [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.

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I was born and raised in a working-class city, Elektrostal, Moscow region. I received a higher education in television in Moscow. I studied to be a documentary photographer. My vision of the aesthetics of the frame was significantly influenced by the aesthetics of my city – the endless forests and swamps of the Moscow region with endless factories, typical architecture and a meagre color palette. In this harsh world, people live and work, raise children, grow geranium, throw parties and live trouble, run a ski cross. They are the main characters of my photo projects.

I study a person in a variety of circumstances. We blog with friends with stories of such people. We are citizen journalists. In my works, I touch upon the topics of homelessness, people’s attitude to their bodies, sexual objectification, women’s work, alienation and living conditions of different people. The opportunity to communicate with my characters gives me a sense of belonging and modernity of life.

My photos create the effect of presence, invisible observation of people. I don’t interfere with what’s going on, I’m taking the place of an outside observer. I’m a participant in exhibitions in Rome (Loosenart Gallery), Collaborated with the Russian Geographical Community.

30 Under 30 Women Photographers 2021

• --> --> Thailand Biennale 2023 / The Open World Dec 9, 2023 – Apr 30, 2024 Thailand Biennale Mueang Chiang Rai, Thailand The first edition of Thailand Biennale was initiated by the Office of Contemporary Art and Culture, Thailand’s Ministry of Culture in Krabi in 2018, followed by Korat in 2021. By alternating the locations from various provinces throughout the country, the spirit of the Thailand Biennale decentralizes artistic activities (more…) Show Post >
• --> --> Tarek Lakhrissi: BLISS Feb 10 – May 20, 2024 Migros Museum für Gegenwartskunst Zurich, Switzerland In his solo exhibition BLISS , Tarek Lakhrissi invites the audience on a journey: in a stage-like setting, visitors become protagonists in search of dreamy moments in the midst of chaos. Over the course of three acts, they encounter immersive installations, an enchanting film work and larger-than-life sculptures. (more…) Show Post >
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• --> --> Pia Arke: Silences and Stories Feb 10 – May 11, 2024 John Hansard Gallery Southampton, UK In February 2024, John Hansard Gallery, in collaboration with KW Institute for Contemporary Art , Berlin, presents the first major survey of Danish-Greenlandic artist Pia Arke (1958–2007) to be shown outside of Kalaallit Nunaat (Greenland), and the Nordic countries. Seldom exhibited outside the Scandinavian context, this exhibition of Arke’s work is both timely and long overdue. (more…) Show Post >
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• --> --> 30 Under 30 Women Photographers / 2024 Selections Announced Artpil International Artpil proudly announces for its 15th Edition the selection of  30 Under 30 Women Photographers  /  2024 . Founded in 2010, this annual selection has helped emerging, mid-career, as well as some accomplished women photographers to gain further exposure and participate in the collective among peers. (more…) Show Post > See Full Article >

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cal yacht club rowing

California Yacht Club (CYC)

by evandiaz | May 19, 2023 | Yacht Club Members

California Yacht Club (CYC) calyachtclub.com 4469 Admiralty Way Marina del Rey, CA 90292 (310) 823-4567 Fax:(310) 822-3658

Total: 950 members – 33% power, 63% sail, 4% rowers.

Facilities: Bar open Wed. thru Sun 1000 to 2400. Dining room open Wed.- Sun for lunch and dinner (breakfast on Sat. & brunch on Sun.) Snack bar open every day from Memorial Day to Labor Day 1000 to 1630. Heated Pool and Paddle Tennis Courts available to members and their guests. 320 member slips (25’ to 120’), 100+ dry storage slips (up to 25’), two 2-ton hoists and launch ramp. Guest docks are first come, first served, but call for reservations. First night free for reciprocal club members. CYC monitors channel 68.

Junior program: Year round. Junior Sailing and Rowing Program. Open to all youths in the community (ages 8-18). Full time Junior staff.

Comments: Active power, sail and rowing fleets. Family friendly Club with a full schedule of races, cruises, and social activities.

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The 10 Best Rowing Clubs in Los Angeles

Los Angeles is a city with a rich history in rowing. Rowing clubs have been around in Los Angeles since the late 1800s, and many of them are still going strong today. In this blog post, we will take a look at the top 10 rowing clubs in Los Angeles and what makes them so successful. We will also discuss the different types of rowing that these clubs offer and how you can get involved. So if you’re looking for a place to row in Los Angeles , be sure to check out one of these great clubs!

Table of Contents

1: Los Angeles Rowing Club

The Los Angeles Rowing Club was founded in 1994 and is located in Marina del Rey, California. They are a non-profit organization that is open to the public. The LARC was created with the mission to promote the sport of rowing, and they do so by providing quality rowing programs for all levels of experience. They offer both sweep rowing and sculling programs, as well as learn-to-row classes. The LARC is also home to several competitive teams that compete at the local, state, and national level.

Some of their most notable achievements include winning the US Rowing Club National Championship in 2004 and sending two athletes to the Olympic Games in 2008. In addition to their competitive teams, the LARC also has a strong community outreach program that provides free rowing lessons to underserved youth in the Los Angeles area. The LARC is truly a place for everyone, whether you’re a seasoned rower or just looking to try something new.

2: Lions Rowing Club

The Lions Rowing Club in Los Angeles, USA has a beautiful and vastly successful history. The club was established in 1887, making it one of the clubs that paved the way for the newer clubs to arrive in the 1900s. In its early years, the club was based out of a boathouse on the Los Angeles River, but today it is located on Grand Canal in Long Beach. The Lions Rowing Club has produced many national champions and Olympic champions over the years, including Olympic gold medalist John Larissa and world champion rower Sarah Trowbridge.

The club is also linked to several colleges and universities in the area, including UCLA, USC, and Pepperdine. As a result of its successes both on and off the water, the Lions Rowing Club is widely regarded as one of the premier rowing clubs in the United States.

3: Long Beach Rowing Association

The Long Beach Rowing Association Rowing Club in Los Angeles, USA has an extremely interesting history. Founded in 1872, the club started to attract rowers in vast numbers. Throughout its history, the club has been dedicated to promoting the sport of rowing and developing its members into successful athletes. Today, the club is home to a diverse group of rowers of all ages and abilities. The club offers a variety of programs for both beginners and experienced rowers, making it one of the most inclusive rowing clubs in the area.

In addition to its excellent programs, the club is also linked to several colleges and universities, making it a great place for college rowers to train and compete. The Long Beach Rowing Association Rowing Club has a proud tradition of excellence and is committed to continuing to develop world-class rowers.

4: California Yacht Club

The California Yacht Club Rowing Club in Los Angeles is a rowing club with an impressive pedigree. Founded in 1994, the club has been home to many famous and successful rowers over the years. The club is located in Marina del Rey, just a short drive from downtown Los Angeles, and it remains one of the premier rowing clubs in the country.

The club is closely linked to UCLA, which is just down the road, and many of its members are student-athletes who row for the university. In recent years, the club has produced several Olympians and national champions, cementing its place as a top rowing destination in the United States.

The Importance of Hydration When Rowing

5: Metropolitan Rowing Club

The Metropolitan Rowing Club in Los Angeles has an interesting and storied history. The club was originally founded in 1884, making it one of the first rowing clubs to welcome people through their doors. In its early years, the club was based out of a boathouse on the banks of the Los Angeles River. The club quickly gained a reputation for excellence, and in 1886 they won their first National Championship. In the years since, the club has produced numerous national champions and Olympic rowers.

Today, the Metropolitan Rowing Club is based out of a state-of-the-art facility in Marina del Rey. The club is open to rowers of all ages and abilities, and they offer a variety of programs for both recreational and competitive rowers. Whether you’re looking to get fit, compete at the highest level, or just enjoy a day on the water, the Metropolitan Rowing Club is the perfect place for you.

6: Whitehall Spirit

The Whitehall Spirit Club in Los Angeles was founded in 1997. The club has produced many national and international champions, including two Olympic gold medalists. The Whitehall Spirit Club is also linked to several colleges and universities, making it a great place for students to learn and compete. If you’re looking for a top-notch rowing club with a rich history and plenty of success, the Whitehall Spirit Club is the perfect choice.

The Row LA Rowing Club in Los Angeles is a historic rowing club that was founded in 1985. The club is based out of Marina del Rey and is one of the most well-known rowing clubs in Southern California. The club is also linked to several colleges, including the University of Southern California and UCLA. The Row LA Rowing Club is a respected and prestigious rowing club that has a rich history and tradition of success.

8: Rivanna Rowing Club

Rivanna Rowing Club is located in Los Angeles, USA. The club has produced several successful rowers, including Olympians and national champions. The club is also linked to a college nearby, which provides access to facilities and equipment. The club has a strong focus on developing young rowers and providing them with opportunities to compete at the highest level.

The club has a rich history and tradition of winning, and this is reflected in the success of its members. Rivanna Rowing Club is a highly respected and well-known club, and it continues to produce champions and contribute to the sport of rowing.

9: Open Water Rowing Center

The Open Water Rowing Center is located in Los Angeles, USA and is a rowing club that is open to the public. The club has produced several famous and successful rowers, such as Olympian rower Sue Enquist and national champion rower George Plimpton. The club is also linked to several colleges nearby, such as the University of Southern California and UCLA.

The club has been very successful in producing Olympic champions and national champions. In addition, the club has also been successful in developing young athletes into professional rowers. The Open Water Rowing Center is an excellent place for anyone interested in learning how to row or for anyone looking to improve their rowing skills.

10: Duluth Rowing Club

Founded in 1966, the Duluth Rowing Club is a popular club in LA. Located in Los Angeles, the club has produced several national and international champions, including two Olympic gold medalists. The Duluth Rowing Club is also affiliated with the University of California, Los Angeles, one of the top rowing programs in the country. As a result, the Duluth Rowing Club is considered one of the premier rowing clubs in the United States.

The Duluth club has produced numerous national champions and Olympic medalists. In addition to its competitive success, the Duluth Rowing Club is also known for its beautiful rowing facility, which overlooks downtown Los Angeles. The club is open to rowers of all levels of experience, from beginners to experienced athletes. Whether you’re looking to compete at the highest level or simply enjoy a leisurely row on a beautiful day, the Duluth Rowing Club is the perfect place for you.

Application

Cyc jr. rowing inquiry form.

We are looking forward to hearing from you

CYC Rowing Participant Information

California Yacht Club is located at: 4469 Admiralty Way, Marina del Rey, CA 90292 .

• If driving, please park in the CYC visitor’s lot adjacent to Admiralty Way and accessed from the driveway which is between Café del Rey and the Warehouse Restaurant.
• Once parked, proceed by foot and enter the member’s parking lot by passing by the main entry gate.
• After passing the main entry gate, continue walking, bearing hard left along the chain link fence at the north end of the large parking lot until it ends at a dark green shade cloth covered rowing shed.
• We meet, at the rowing sheds which are opposite the tall bamboo plants separating the Warehouse Restaurant and CYC.

If you will be late or unable to attend, PLEASE text (and identify yourself) as soon as possible: Craig Leeds 310.948.1456 and/or Anna Wilczek 818.523.2987.

If the main entry gate is locked when you arrive, please text us.

Participants should bring: athletic shoes (running shoes), socks, shorts, shirts, sunscreen, water, a change of clothes,

towel and personal items (hats, sunglasses, orthotics, inhalers, etc).

To keep all the gear organized, a small duffel bag or back pack is recommended.

Clothes should fit reasonably tightly so while rowing, hands won’t get caught in shirts and shorts won’t get caught in the sliding seats.

Dressing in layers and using wicking type fabrics is recommended.

Here are some links that will be helpful (you may need to copy and paste into a browser):

• This is a video from Concept2 regarding technique on the rowing machine which is where we begin. Please watch the video before the first session.
• World Rowing
• This is a great pictorial representation of the rowing stroke as taught at CYC:
• This is a great video showing Australian world champion scullers and sweep rowers in a beautiful setting.
• Here’s a link to the US Women winning the quad at the 2015 World Championship:

Please don’t hesitate to ask for more information.

California Yacht Club-Junior Rowing

2021 J/70 WORLDS : CHAMPION

Peter duncan and relative obscurity return to the podium as j/70 world champion at cal yacht club.

2021 J/70 WORLDS : CORINTHIAN CHAMPIONS

The ducasse sailing team of santiago, chile, triumphed in the corinthian division..

2021 J/70 WORLDS : ONE PRO CHAMPIONS

Threatening minors wins one pro..

PETER DUNCAN AND RELATIVE OBSCURITY WIN THE 2021 J/70 WORLDS

Peter Duncan and Relative Obscurity Return to the Podium as J/70 World Champion at California Yacht Club

Peter Duncan’s Relative Obscurity has prevailed over 60 other teams and challenging wind conditions to capture the 2021 J/70 World Championship title at California Yacht Club, today. In a five-day series that tested the skill and patience of top-notch competitors from 11 nations, Duncan – sailing with Willem van Waay, Morgan Trubovich and Victor Diaz de Leon – secured a top five position in the beginning of the regatta and never let go.

“I’m elated!” said Duncan as he returned to the dock, bustling with activity. “That was a tough day out there. We didn’t start very well but had a bit of a break with a header on the first run of the second race that let us get close to everybody and sail through some folks we need to sail through,” he explained. “We have a lot of fun onboard – joke and laugh and keep it light – and that worked in our favor when we had to grind through. Everybody knows what their job is, and these guys do them exceptionally well.”

WELCOME TO THE J/70 WORLDS 2021

Cal Yacht Club is proud to host the 2021 racing of the J/70 Worlds.

RECAP / NEWS

Peter Duncan’s  Relative Obscurity  has prevailed over 60 other teams and challenging wind conditions to capture the 2021 J/70 World Championship title at California Yacht Club, today.

DAILY PHOTO / VIDEO

Threatening Minors  sailed by Jordan Janov, Grant Janov, Ryan Janov, Reddin Kherli and Willie Mcbride, took honors.

SOCIAL MEDIA

The J/70 is 22.75 feet with an 11 foot long cockpit and deck-stepped carbon mast for easy rigging and stepping.

The crew shall consist of 3 or more persons. The number of crew shall not be changed during an event.

The J/70 Class has been created as a strict one-design Class where the true test when racing is between crews and not boats and equipment.

Well, chances are it will not be like Day 1 of the Pre-Worlds. Maybe more like Day 2. But then again, this is MdR—anything can happen.

SANTA MONICA BAY

The Santa Monica Bay is dominated by an onshore breeze that typically doesn't kick in until around noon. Watch out for the oscillations!

CAL YACHT CLUB

CYC has a long history of excellence in race management. We host everything from Championship-level regattas to more casual weekend random leg races.

SAY WHAT? : THE J/70 WORLDS 2021

"Cal Yacht Club did an awesome job."

Peter Duncan | Relative Obscurity

“It was very cool that there were four boats who could have won this thing in the last race...”

CALIFORNIA YACHT CLUB

Founded originally in 1922 by yachtsmen including Charles Hathaway and Frank Garbutt, the California Yacht Club's first clubhouse was built in Wilmington, CA in Los Angeles' inner harbor (berths nos. 192 & 193), just opposite Terminal Island. Close by were the yards of renowned yacht builders Wilmington Boat Works and Fellows & Stewart (second location). In the club's inaugural year, member yachtsmen formed the first Star class fleet on the Pacific coast. Involved in all aspect of the sport, the club has encouraged a variety of pleasure boating, first in Los Angeles Harbor, and now in Santa Monica Bay.

Over the years CYC has been the club for numerous prominent yachtsmen including Merritt Adamson, Pierpont Davis, Roy E. Disney, J. Paul Getty, Samuel K. Rindge, William Stewart, James Kilroy and navigator extraodinaire, Ben Mitchell. Movie mogul Cecil B. DeMille once served as a trustee of the club and donated a gold cup for powerboat racing. Comedy film producers Al Christie and Hal Roach were both deeply involved in club activities in the twenties and thirties.

Power boating has always been a part of the club's mission along with sailing and rowing. The first CYC powerboat regatta was run in 1922 and the winner was none less than the famous Gar Wood in his Harmsworth Trophy winner Miss America. CYC's Catalina Challenge race for powerboats has been run annually since 1922.

A fire on Thanksgiving Day, 1930 severely damaged the original clubhouse although the heroic efforts of some members saved all of the trophies.

In 1932, several CYC members figured prominently in the sailing events at the Los Angeles Olympic Games. Owen Churchill, inventor of the SwimFin, won the gold medal in the Eight-Metre Class with Angelita.

Unfortunately, the club was forced to relinquish its key location in the East Basin to the Coast Guard for the war effort in 1941. A dormant period followed.

With the development of the long-awaited Marina Del Rey in the early 1960s, the club reformed in '63 and elected Fritz Overton, Commodore in 1923, as head of the "new" club. In 1966, they opened the modern clubhouse and marina facility that is their home today. The radial design of the building allows sweeping panoramic views of the marina.

The California Yacht Club is owned by the Hathaway family, owners of the Los Angeles Athletic Club. The annual "Great Catalina to Marina del Rey Rowing and Paddling Event" pays tribute to Charles Hathaway's row in 1976 from Catalina Island to the club on his 50th birthday.

The unique combination of private ownership and annually elected flag officers has worked well to establish California Yacht Club as one of the outstanding clubs in the nation.

‘Nothing left’: After California Yacht Club fire, residents mourn loss of a beloved spot

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In an instant, an overnight seaside blaze engulfed decades’ worth of boating trophies, historical artifacts and cherished memorabilia at the California Yacht Club in Marina del Rey on Monday.

Fire crews attempted to control the blaze as heavy smoke and flames consumed the two-story building. By the time they had subdued the fire two hours later, only the skeletal remnants of the clubhouse were left standing.

John Myers, senior vice president of the club, said the blaze had been reported by an employee working late in the clubhouse Monday night. The fire spared the remainder of the facilities on the ground, including the docks and the yachts moored there. But the clubhouse, and particularly its second floor, was all but wiped out.

“We are working closely with the Los Angeles County Fire Department in their investigation of the cause of the incident and will share those findings when they become available to us,” Myers said.

Members are left mourning, comparing the loss to the death of a loved one.

Jennifer Dakoske Koslu awoke in Rancho Mirage at 5:30 a.m. Tuesday, before the sun had risen, to find her phone inundated with text messages from club members.

The first message she read simply stated, “The CYC is gone.”

“As soon as I opened my phone, it went to a link on the Citizen app and saw a video of the club burning. I was shocked,” Dakoske Koslu said.

For the last 24 years, Dakoske Koslu and her family have been dedicated members of the CYC, whose clubhouse is a few miles away from their home in Playa del Rey. She said it is where her children have grown up, familiarizing themselves with every inch.

“I remember taking my son there on the Fourth of July when he was just 3 weeks old. It was the first place we went with him as a newborn,” Dakoske Koslu said.

She and her husband biked to the club in the aftermath of the fire, greeted by the charred remains of the building on Wednesday afternoon.

“The destruction is unbelievable. It’s clear that the fire was burning intensely on the second floor,” Dakoske Koslu said. “There’s nothing left.”

The second floor once housed a collection of the club’s prestigious racing trophies, kept on display for members and visitors. The fire melted all but a single salvageable California Cup. Most notably, the priceless King of Spain Trophy, acquired in 1929 from King Alfonso XIII, was lost.

Additionally, the club lost cherished photographs of every past commodore, a significant position within a yacht club. Members said they didn’t know if anyone had digitized the images of the commodores or of the club’s founders.

“We would tell yachting stories at the bar around lots of memorabilia, and the yachting artifacts behind the bar are all gone now,” Tom Materna said. “The yacht club provided us a facility for the off-the-water celebrations after hard-fought competition on the water.”

The CYC dates to the early 1920s, started by boat owners from the Los Angeles Athletic Club and other yacht clubs. The Board of Harbor Commissioners approved the first clubhouse in 1922, designed by famed architect Edwin Bergstrom, co-designer of the Pentagon.

In 1965, the yacht club submitted a proposal for an all-encompassing $1-million, two-story, 10,000-square-foot clubhouse on four acres off Admiralty Way. Members envisioned a state-of-the-art facility with 170 boat slips, a guest dock, a small boat hoist and a dry land storage facility for boats. The clubhouse that resulted was dedicated on June 10, 1967.

Then-Commodore William A. DeGroot Jr. told The Times that the triangular parcel of land on which the clubhouse still sits is a “perfectly logical place for a club facility, and a commanding view down the main channel of the marina.”

Though the building has historical significance to its members, it does not have a historic designation, according to Linda Dishman, president of the Los Angeles Conservancy.

“We are deeply saddened by this tragedy and so grateful for the outpouring of support from the community and our members,” Myers said. “CYC has been a beacon for the nautical community for the past 101 years.”

Materna, 68, first found out about the fire through Facebook as friends posted videos and photos of the damage Tuesday morning. Then he began receiving calls and text messages from friends.

“Everybody woke up in the morning and realized we’d lost a significant part of the sailing community,” Materna said.

His connection to the club dates back nearly 52 years, to when he was just 16 years old. After spending 30 years sailing professionally with Hobie Cats, mainly racing catamarans — a watercraft with two parallel hulls of equal size — he recently served as a crew member on other club members’ racing yachts.

The CYC is pivotal in the boat racing community, organizing and hosting events such as the Optimist National Championship and Junior Olympic trials, Materna said. He fondly remembers the hundreds of people from across the globe converging on the marina for similar events.

The main topic among members now is what’s next for the club. Dakoske Koslu noted that the club’s ownership changed over the last few years, and many are unsure and concerned about the club’s continuation after the fire.

The club relocated to the marina in 1967, leasing the land it sits on from the county.

“I don’t think the county has really valued the contributions of the California Yacht Club as an important part of the Marina. They value Trader Joe’s because it’s more money for them,” Dakoske Koslu said.

Dakoske Koslu said she’s seen numerous small marine-oriented businesses displaced from the marina, making way for more commercialized developments such as Trader Joe’s and Recreational Equipment Inc.

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Rowing club los angeles: everything you need to know.

If you’re interested in rowing and live in Los Angeles, you’re in luck. Los Angeles has a long history of rowing, and there are many rowing clubs to choose from. Rowing is an excellent way to stay in shape, meet new people, and enjoy the beautiful outdoors. In this article, we’ll take a closer look at rowing clubs in Los Angeles, their history, benefits, and how to join them.

History of Rowing Club in Los Angeles

Rowing has been a popular sport in Los Angeles for over a century, with the first rowing club, the Los Angeles Rowing Club, established in 1908. The club was founded by a group of rowing enthusiasts who wanted to promote the sport in Southern California. The first boathouse was located in the Venice Canals, and the club quickly gained popularity.

Over the years, many other rowing clubs have been established in Los Angeles, including the California Yacht Club, the Long Beach Rowing Association, and the Marina Aquatic Center. These clubs have played a significant role in promoting rowing in Los Angeles, and their members have achieved many successes in local and national competitions. Despite many challenges, including funding, maintenance, and environmental issues, rowing clubs in Los Angeles continue to thrive and attract new members.

Rowing is a low-impact, full-body workout that is suitable for people of all ages and fitness levels. Joining a rowing club in Los Angeles offers many benefits, including improving your physical and mental health, socializing with like-minded people, and competing in rowing events.

Health Benefits

Rowing is an excellent way to improve your cardiovascular health, build muscle strength, and burn calories. According to a study by Harvard Health Publishing, rowing burns more calories than running or cycling, making it an effective way to lose weight and get in shape. Rowing also helps to reduce stress, improve sleep quality, and boost your mood.

Social Benefits

Joining a rowing club in Los Angeles provides an opportunity to meet new people, make friends, and socialize. Rowing clubs often organize social events such as barbecues, parties, and team-building exercises, allowing you to connect with other members outside of the boat. Rowing also promotes teamwork, communication, and leadership skills, which can be applied to other areas of your life.

Next, we will discuss how to join a rowing club in LA and popular rowing clubs in the area.

The Benefits of Joining a Rowing Club in Los Angeles

Rowing is an excellent way to stay active and healthy, but joining a rowing club in Los Angeles offers many additional benefits beyond physical fitness.

Rowing is a low-impact, full-body workout that improves cardiovascular health, builds muscle strength, and burns calories. Regular rowing can help reduce the risk of chronic diseases such as diabetes, heart disease, and obesity. Additionally, rowing is an excellent way to improve flexibility and balance, which is essential for maintaining mobility as you age.

Joining a rowing club in Los Angeles provides an opportunity to meet new people, make friends, and develop a sense of community. Rowing clubs often organize social events such as barbecues, parties, and team-building exercises, allowing you to connect with other members outside of the boat. Rowing also promotes teamwork, communication, and leadership skills, which can be applied to other areas of your life.

Competitive Benefits

For those who enjoy competition, joining a rowing club in Los Angeles provides opportunities to participate in local and national rowing events. Rowing clubs often have teams that compete in regattas, races, and other events, giving members a chance to test their skills against other rowers. Participating in rowing competitions can be a fun and rewarding experience, and it can help you set and achieve personal goals.

How to Join a Rowing Club in Los Angeles

Joining a rowing club in Los Angeles is relatively easy, but there are some requirements you need to meet before you can become a member. Here’s what you need to know:

Requirements for Joining

Most rowing clubs in Los Angeles require that you be at least 18 years old and have a basic level of fitness. Some clubs may also require that you have previous rowing experience or complete a rowing class before you can join. Additionally, you may need to pass a swim test to ensure that you can safely navigate the water.

Application Process

To join a rowing club in Los Angeles, you will need to fill out an application form and pay a membership fee. The application form will typically ask for your contact information, rowing experience (if any), and emergency contact information. Once your application is approved, you will be given access to the club’s facilities and equipment. Some clubs may also require that you attend an orientation session to learn about the club’s rules and safety procedures.

Popular Rowing Clubs in LA

There are many rowing clubs to choose from in Los Angeles, each with its unique features, facilities, and programs. Here are some of the most popular rowing clubs in the area:

1. Los Angeles Rowing Club

The Los Angeles Rowing Club is the oldest rowing club in the city, founded in 1908. The club is located in a historic boathouse in the Marina del Rey harbor and offers programs for rowers of all levels, from beginners to advanced. The club has a competitive racing team, a recreational rowing program, and hosts many social events throughout the year.

2. California Yacht Club

The California Yacht Club is located in Marina del Rey and has a dedicated rowing program with a focus on competitive racing. The club has a state-of-the-art boathouse and equipment and offers programs for juniors and adults.

3. Long Beach Rowing Association

The Long Beach Rowing Association is located in Long Beach and offers programs for all levels, including recreational, competitive, and adaptive rowing. The club has a large boathouse and a fleet of boats, including singles, doubles, quads, and eights.

4. Marina Aquatic Center

The Marina Aquatic Center is located in Marina del Rey and is affiliated with the University of Southern California. The center offers rowing programs for USC students and the general public, including recreational and competitive rowing. The center has a large boathouse, a fleet of boats, and a team of experienced coaches.

In conclusion, joining a rowing club in Los Angeles is an excellent way to stay in shape, make new friends, and enjoy the beautiful outdoors. Rowing offers many health benefits, including improving cardiovascular health, building muscle strength, and reducing stress. By joining a rowing club, you can also develop teamwork, communication, and leadership skills, which can be applied to other areas of your life.

If you’re interested in joining a rowing club in Los Angeles, there are many options to choose from, each with its unique features and programs. We encourage you to check out the clubs we’ve listed and find one that suits your needs and interests. Remember, rowing is a lifelong sport that can be enjoyed at any age and fitness level, so why not give it a try and see what it can do for you? Join a rowing club in Los Angeles today and experience the benefits of this fantastic sport!

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"They fell to the ground with screams": Russian Guards fired at children single near Moscow - there is a casualty

2023-08-20T20:58:57.477Z

Highlights: In Russia, in the city of Elektrostal (Moscow region), during demonstrations, Rosgvardia soldiers began shooting at spectators with children from machine guns with blank cartridges. One child received serious damage from a rebounded cartridge case. In the video, a child can be heard crying and screaming violently. It is also interesting that Russia recently arranged a solemn farewell to Vladimir Shestakov, convicted for the murder of a child, who became a mercenary of PMC "Wagner" and was liquidated in the war in Ukraine.

In Russia, in the city of Elektrostal (Moscow region), during demonstrations, Rosgvardia soldiers began shooting at spectators with children from machine guns with blank cartridges.

So far, one injured child is known.

This was reported by the local Telegram channel of the Cheka-OGPU.

"Small children were clutching their heads screaming and falling to the ground. Not without injuries. The child received serious damage from a rebounded cartridge case," the report said.

One of the witnesses to the incident posted a video. It was her child who was shot by the Russian Guards. In the video, a child can be heard crying and screaming violently.

After the woman realized that her child had been wounded, she called her husband and doctor.

Meanwhile, Russian occupier Ivan Alekseev in the war in Ukraine after a drunken quarrel killed his colleague and tried to cover up the crime, saying it was the work of "Ukrainian saboteurs."

It is also interesting that Russia recently arranged a solemn farewell to Vladimir Shestakov, convicted for the murder of a child, who became a mercenary of PMC "Wagner" and was liquidated in the war in Ukraine.

• The suspect in the murder of a military volunteer was released from custody
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Source: tsn

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Field hockey - Dinamo Elektrostal Moscow

Hockey Club Dinamo Elektrostal is a field hockey team from Russia, based in Moscow. The club was founded in 1994.

Dinamo Elektrostal Moscow - Results

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Men's Euro Hockey League - Final Round - 2021/2022

Dinamo elektrostal moscow - identity.

• Official name : Hockey Club Dinamo Elektrostal
• Country : Russia
• Location : Moscow
• Founded : 1994
• Wikipedia link : http://nl.wikipedia.org/wiki/Dinamo_Elektrostal

Dinamo Elektrostal Moscow - Titles, trophies and places of honor

• Best result : First Round in 2021/2022
• Best result : 1st
• 1 times first in 2010
• 1 times second in 2009
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Yacht Rock: ELLE’s February 2024 Shopping Guide

From the rowing club to the runway, preppy classics are making a splash.

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California Yacht Club was established in 1922 and boated its' first competitive rowing team back in the 1930's. In 1977, after a long hiatus, Stan Mullin, Ken Jacobs and Charles Hathaway reactivated rowing at the Club. CYC rowers now number about 60, and represent all abilities, ages and motivations.

Adult Rowing - California Yacht Club CYC is a great place for adults of all ages and skills to row out of Marina Del Rey. We have more than 60 active adult rowers with a wide range of interests and motivations varying from recreational, fitness, social, open water, and racing.

CYC Rowing - California Yacht Club - Rowing About us CYC Junior Rowing CYC offers a range of rowing programs suitable for girls and boys ages 12 - 18. CYC membership is not required to participate. Our junior rowing programs include: a highly successful competitive rowing team, a recreational program and private lessons.

Everyone at the California Yacht Club is devastated by the fire that took place at the structure of our historic club on Monday, December 11, 2023. We want to extend our sincere thanks to the Los Angeles County Fire Department for their rapid response and intensive efforts to extinguish the fire. We are committed to working with the fire ...

Junior Sailing and Rowing Program. Open to all youths in the community (ages 8-18). Full time Junior staff. Comments: Active power, sail and rowing fleets. Family friendly Club with a full schedule of races, cruises, and social activities.

California Yacht Club's Junior Rowing Program runs seasonally from September through June, and extends into Summer with several two week "Learn to Row" camps. The core instruction of the program is sculling. Singles, doubles and quads are the on the water tools for quality learning, and our inventory of ergometers are used for land training.

California Yacht Club, Marina del Rey, California. 4,778 likes · 133 talking about this · 24,313 were here. The California Yacht Club mission is to...

California Yacht Club was established in 1922 and boated its first competitive rowing team back in the 1930's. In 1977, after a long hiatus, Stan Mullin, Ken Jacobs and Charles Hathaway reactivated rowing at the Club and it has grown since then.

The California Yacht Club has a wonderful community of members who enjoy a packed social calendar of over 400 events throughout the year that features water activities, wine tastings, movies...

California Yacht Club is located at: 4469 Admiralty Way, Marina del Rey, CA 90292. ... California Yacht Club-Junior Rowing. Craig Leeds [email protected] 310.948.1456. and. Anna Wilczek [email protected] 818.523.2987. CYC offers a variety of summer programs for junior age (13 - 18) boys and girls. CYC membership is not required to enroll.

J/70 Worlds 2021 : Peter Duncan's Relative Obscurity has prevailed over 60 other teams and challenging wind conditions to capture the 2021 J/70 World Championship title at California Yacht Club, today. In a five-day series that tested the skill and patience of top-notch competitors from 11 nations, Duncan - sailing with Willem van Waay, Morgan Trubovich and Victor Diaz de Leon - secured ...

Congratulations to the California Yacht Club Rowing Team on an impressive showing at the Long Beach Christmas regatta! 27 medals is an incredible achievement, and we are so proud of all of your hard...

The California Yacht Club is owned by the Hathaway family, owners of the Los Angeles Athletic Club. The annual "Great Catalina to Marina del Rey Rowing and Paddling Event" pays tribute to Charles Hathaway's row in 1976 from Catalina Island to the club on his 50th birthday.

3,429 Followers, 1,052 Following, 637 Posts - See Instagram photos and videos from California Yacht Club (@calyachtclub) 3,429 Followers, 1,052 Following, 637 Posts - See Instagram photos and videos from California Yacht Club (@calyachtclub) Something went wrong. There's an issue and the page could not be loaded. ...

515 Followers, 265 Following, 67 Posts - See Instagram photos and videos from California Yacht Club Rowing (@calyachtclubrowing)

• 1st US Rowing Coach to win back-to-back Gold medals in the Mens Eight (97,98,99) (04,05). ... RC and California Rowing Club • Advisory coach at Cambridge University in England for their annual Boat Race since 1993 • U.S. Men's Olympic Head Coach from 2009-2012 London Olympic Games (Bronze - M4-)

When the California Yacht Club burned in Marina del Rey, prestigious awards, a priceless trophy and cherished photos were lost. Members mourn the club's loss.

The Los Angeles Rowing Club is the oldest rowing club in the city, founded in 1908. The club is located in a historic boathouse in the Marina del Rey harbor and offers programs for rowers of all levels, from beginners to advanced. The club has a competitive racing team, a recreational rowing program, and hosts many social events throughout the ...

Related Articles J/Teams Silver in Southern California Islands Race J/130 1st, J/111 2nd, & J/125 2nd The annual Southern California offshore and coastal racing season kicked off with the 2024 Islands Race, a coastal race co-hosted by Newport Harbor Yacht Club and San Diego Yacht Club since 2010. Posted on 19 Feb BadPak wins 2024 Islands Race Rio100 sets course record The annual Southern ...

The moment of the explosion in Moscow was broadcast on the rowing championship: video. News/Politics 2023-08-11T12:06:55.387Z. 8-Year-Old Boy Killed in Russian Strike on Western Ukraine. News/Politics 2023-08-11T14:26:57.994Z. They were going to reconnaissance the territory: border guards "landed" the occupiers' UAVs near Avdiivka.

Dinamo Elektrostal Moscow - Titles, trophies and places of honor. Men's Euro Hockey League since 2007/2008 (7 participations) . Best result : First Round in 2021/2022; EuroHockey Men's Club Trophy since 2008 . Best result : 1st

Club Risovalshchikov, Moscow: See 7 unbiased reviews of Club Risovalshchikov, rated 4.5 of 5 on Tripadvisor and ranked #4,585 of 15,890 restaurants in Moscow.

Yacht Rock: ELLE's February 2024 Shopping Guide From the rowing club to the runway, preppy classics are making a splash. By Rosie Jarman Published: Feb 21, 2024

California, Tomilino: See unbiased reviews of California, one of 16 Tomilino restaurants listed on Tripadvisor.