classic sailing yacht design

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Zephyr to Zephyr: Light Winds Challenge Alinghi Red Bull Racing and NYYC American Magic in Barcelona

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Moonbeam of Fife III, 1903

Built at Fairlie by Fife

The 30 metre, gaff cutter  Moonbeam of Fife III  epitomises beautiful classic yachts at their finest. Launched in 1903,  Moonbeam of Fife  is still going strong on the classic yacht regatta circuit despite being more than a hundred years old. The William Fife-designed yacht is constructed in wood with an oak hull and superstructure, while her interior joinery is well-kept mahogany. The historical yacht  Moonbeam of Fife III  is currently for sale.

Tuiga, 1909

Built by the renowned William Fife shipyard in Fairlie on the Clyde estuary in Scotland,  Tuiga  was commissioned by the Duke of Medinaceli, a close friend of the King of Spain, Alfonso XIII, and has had 10 owners in 106 years. HSH Prince Albert II decided to buy her in 1995.  Tuiga  has been participating in classic yacht regattas ever since and is now the flagship of the Yacht Club de Monaco, crewed by YCM members.

Mariette, 1915

Built by Herreshoff

The classic 42 metre twin-masted schooner _Mariette of 1915 _was built by Herreshoff in the United States 100 years ago. Age has not withered her, but  Mariette of 1915  has undergone a few refits in the Pendennis yard at Falmouth in recent years: in 2010 and again in 2012 in preparation for the Pendennis Cup, in which she took first prize in the St Petroc Traditional Class as well as being crowned overall winner. In 2014 she returned to Falmouth once more for minor works.

Creole, 1927

Built by Camper & Nicholson

Now owned by the Gucci family, this beautiful wooden schooner has had a colourful history. Commissioned by wealthy American Alan Cochran and launched in 1927,   Creole  has had a number of different owners and also been called  Vira.  When she was known as  Magic Circle , she was transformed into a minesweeper during the Second World War, having previously competed in a number of regattas and attended previous America’s Cup events. In the 1970s she was used by the Danish government for sailing training in the rehabilitation of drug addicts before being bought by the Gucci family in 1983.

Endeavour, 1934

Arguably the world’s most famous J Class,   Endeavour  was the British challenger in the 1934 America’s Cup, but was beaten by the Harold Vanderbilt-owned  Rainbow .  Endeavour  was commissioned by Sir T.O.M. Sopwith, who was keen to ensure that this yacht was the most advanced design possible. With his experience designing aircraft, Sopwith applied aviation technology to  Endeavour ’s rig and winches and spared nothing to make her the finest vessel of her day.

She swept through the British racing fleet and into the hearts of yachtsmen around the world, winning many races in her first season. Though she did not win the America’s Cup she came closer to doing so than any other challenger.

Since 1934, she has often led a perilous existence, even being sold to a scrap merchant in 1947 only to be saved by another buyer hours before her demolition was due to begin. In 1984, American yachtswoman Elizabeth Meyer bought  Endeavour  and she was transformed and rebuilt by Royal Huisman.  Endeavour  sailed again on June 22, 1989, for the first time in 52 years. J Class yacht   Endeavour  is now for sale.

Elena, 1910

Built by Herreshof

In 1910, Morton Plant commissioned 55 metre   Elena  to be designed by American naval architect Nathanael Herreshoff, the so-called “Wizard of Bristol”, who made his name designing sailing yachts for America’s elite. Plant’s brief was to the point: he wanted a schooner “that can win”.

Herreshoff gave  Elena  a slightly deeper keel than preceding designs of that time, lowering her centre of ballast, which improved her windward ability.  Elena  won most of her early races against the cream of the American schooner fleet and in 1928 came her crowning glory, victory in the Transatlantic Race. In 2009, she was rebuilt using the original plans for the first  Elena.

Black Swan, 1899

Originally designed by Charles Nicholson and built in 1899 at Camper and Nicholson in Gosport, England,  Black Swan  started life as  Brynhild  with a yawl rig. She won a number of races at the beginning of the 20th century, including the King’s Cup. Over the years, she has undergone several changes and different rig configurations, and at one stage she was renamed  Changrilla . She was rechristened  Black Swan  in the 1960s and, today, after an extensive restoration project at the Beconcini yard in La Spezia, Italy, she is now carrying a gaff-rig, designed by the Faggioni Yacht Design Studio and built by Harry Spencer.

Mariquita, 1911

Built by Fairlie

Another beautiful classic yacht from Fife,  Mariquita  was launched in 1911. The 38.16 metre sailing yacht was designed and built for the industrialist Arthur Stothert. As part of the 19 metre Big Class racing that re-emerged in 1911, this gaff-rigged cutter is said to have inspired the J Class yachts that came after her.

She raced competitively against her brethren from 1911-1913, but by the 1950s,  Mariquita  was the last in the 19 metre class remaining. She was restored in 1991 and received a further refit in 2004. A star on the classic yacht racing scene,  Mariquita  is now for sale.

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5 Beautiful Wooden Boats That Blend Classic Design With Modern Technology

Now that's good wood., michael verdon, michael verdon's most recent stories.

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From one of the largest single-masted wooden sailing yachts in the UK to a mahogany 30-footer with an Art Deco–themed interior, this quartet of vessels showcases just what’s possible with timber, the most classic of boatbuilding materials.

The 111-foot Geist , launched last July by Spirit , is the largest single-masted wooden sailing yacht built in the UK since the 1930s, when the America’s Cup yacht Shamrock V ruled the seas. But Geist is much more than a giant sloop. Her eco-conscious owner mandated systems like the first-of-its-kind electric propulsion by Torqeedo—a 100 kw motor fed by BMW lithium-ion battery banks, which recharge while Geist is sailing—while her Rhoades Young interior elevates wood to its maximum potential, showing off sustainably sourced sipo mahogany, teak and walnut in a series of continuously flowing curves. Even her sails are made of recyclable materials.

Navy Destroyer

Hacker Boat Company traces its roots to John Hacker, who crafted boats for the rich and famous during the Roaring Twenties. The Ticonderoga, N.Y., facility builds modern triple-cockpit runabouts that nonetheless appear straight from the docks of J. D. Rockefeller. The recently launched Restless is a custom project, a modern thoroughbred based on the 1923 Miss APBA race boat; she uses a foot pedal rather than a throttle for acceleration, on her way to a top speed of 65 mph. The Hacker team achieved the striking navy hull by combining a double-planked mahogany layup with a fiberglass skin, while the owners chose the same Cuoio leather favored by Ferrari to pair with the boat’s mahogany topsides.

Jakob Boesch built his first boat in the 1890s, and more than a century later his family continues to merge new technologies with old-world Swiss craftsmanship. Boesch ’s new, 28-foot 860 has a classically styled mahogany hull with up to 11 layers of wood laid at right angles, sealed with six layers of epoxy and finished with six layers of varnish. Propulsion choices include modern options like twin 150 kw electric engines for quiet, emissions-free operation. The runabout’s meticulously crafted silhouette disguises a beast of a machine designed for precise handling, tow sports and speed. Equipped with twin 380 hp Ilmor gas engines, the 860 can hit 48 mph, leaving fiberglass towboats in its wake.

Fiber Class

Unlike the rest of the list, the Hood 57 LM isn’t a proper wooden boat. The hull is what manufacturer Lyman-Morse calls “wood composite,” a combination of strip-planked fir and fiberglass, though its 1950s New England look—including the superstructure’s teak veneer—and pioneering construction suggest the potential for a modern-retro segment; it offers high-tech features such as a carbon-fiber flybridge roof and electric windows. A tough, lightweight boat designed to run offshore, its twin 1350 Volvo IPS pod drives deliver a top speed of 43 mph, while the interior, with its open salon and two generous staterooms, is as spacious as any fiberglass competitor.

Van Dam , which has been building mahogany boats since 1977, moved away from traditional 1920s-style runabouts to focus on original designs such as Catnip . The 30-footer has an Art Deco–themed interior, with stunning metalwork—including an array of semicircular gauge housings, windshield frames with slatted openings and a mirror-like stainless rudder—complementing an expanse of varnished mahogany. With twin 385 hp Ilmor inboards, Catnip has a top end of 57 mph, and since Van Dam won’t build any boat twice, she’s also unique.

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The best classical sailing yachts available to charter

While the industry is brimming with sensational contemporary yachts, there is nothing quite like handing yourself over to the elements and discovering the joys of a classic sailing yacht. With plenty of vessels to choose from, we’ve rounded up some of the finest classic sailing yachts out there and showcased the very best of what the market has to offer…

Shenandoah of Sark

Stats: 55m, Townsend & Downey , 1902, 10 guests, 8 crew

Highlights: With ornate, elegant and intrinsically classic interiors, this 104-year-old 54-metre sailing yacht is undoubtedly one of the most sophisticated vessels available for charter. She is a three-masted gaff-rigged schooner that emits a delicate antiquity, but don’t let this fool you, as Shenandoah of Sark is a supercharged sailor who's happy to lean into the waves for some adrenaline-filled action. Her glittering history is filled with aristocracy, royalty and even smugglers and she’s hosted fabulous parties in her time. During the 80's, Shenandoah of Sark became a superstar of sorts, used as the backdrop for Vogue magazine photoshoots and Rod Stewart music videos.

With a flexible configuration that allows for additional berths if required, accommodation is for 10 on board, each set within cabins that are packed with books and rich oil paintings. There's also a baby Steinway on board, taking pride of place in the main saloon. Shenandoah of Sark  is the embodiment of the golden age of sailing, and promises one of the most elegant charter yachts one can opt for.

Shenandoah of Sark is available for charter with Burgess from €125,000 per week.

Stats: 40.2m, Camper and Nicholsons, 1899 (2019) 12 guests, 6 crew

Highlights: Originally designed by Charles Nicholson and built in 1899 at Camper and Nicholson in Gosport, England, Black Swan is up there with one of the most important classic sailing yachts in the charter fleet. As a racing yacht, her history is filled with accolades such as winning the King’s Cup at the beginning of the 20th century, while she offers remarkable comfort for cruising.

Over the years, she has undergone several changes and different rig configurations, and at one stage she was renamed Changrilla . She was then rechristened Black Swan in the 1960s and, today, after an extensive restoration project, she is now carrying a gaff-rig, designed by the Faggioni Yacht Design Studio and built by Harry Spencer.

Black Swan is available to charter with Camper and Nicholsons with a weekly rate from €50,000.

Stats : 65.3m, Camper & Nicholsons, 1927 (2007), 11 guests, 15 crew

Highlights: Often considered a masterpiece in sailing circles, 65.3 metre Creole i s an iconic three-masted schooner in impeccable condition. Delivered in 1927, she has an illustrious history including service as a mine-hunter in the Second World War and a slew of notable owners who have looked after her during her lifetime, from members of the Gucci fashion family to Stavros Niarchos of the Greek shipping dynasty. Boasting a sail area of 1,040 square metres, Creole can hit top speeds of up to 16 knots when the winds are right, and her impressive performance at sea has seen her collect a number of awards at international regattas including the Grimaldi Trophy Les Voiles des Saint-Tropez.

Timeless styling is evident throughout her interior, especially in the pastel-coloured saloon and dining room, and she also offers al fresco dining for enjoying warmer weather.

Creole is available for charter with Burgess with a weekly rate from €189,000.

Stats: 35m, Brooke Marine, 1938 (2016), 10 guests, 5 crew

Highlights: With a beautifully classical exterior, Eros is everything you would hope to find from a classic schooner – being both remarkably elegant, and filled with history and a sensational performer out on the water. Named after the Greek goddess of love, she retains much of her original features like teak panelling in the dining saloon - a nod to her original art-deco interior.

Those looking for the thrill of sailing can take the helm at her classic wooden wheel, while others can kick back on a sun lounger at the bow. As the sun sets, guests can dine on deck thanks to a large teak table with wraparound seating for up to 10. Eros also boasts a well-stocked toybox, carrying kayaks, deep-sea fishing gear, paddle boards and equipment for waterskiing and wakeboarding.

Eros is available to charter with Classic Charters with a weekly rate from $44,000.

Stats: 63.4m, Holland Jachtbouw, 2010 (2021) 10 guests, 10 crew

Highlights: Perfectly equipped to facilitate the perfect family sailing holiday, Athos strikes that all-important balance between high-powered performance and luxury living at sea. She may be on the newer end of the classic sailing yacht scale, but no less remarkable offering all the stylistic qualities of a truly classic sailing yacht. Her vast exterior deck offers plenty of space for socialising, with a shaded dining area on the aft and a private deck area adjoining the master suite.

The yacht recently returned to the charter market having undergone an extensive refit in 2021, which included a 1.25-metre extension at the stern and a total rebuild of the interior. Hoek Design once again stepped in to oversee the naval architecture, interior styling and layout changes of the guest accommodation, main saloon, crew service areas and deckhouse. Her styling is now warm and inviting, which has made her a more sophisticated offering.

Athos is available to charter with Y.CO from $220,000 per week.

Eugenia VII

Stats : 33m, Turquoise, 2009 (2014), 8 guests, 4 crew

Highlights: With her classical lines, thrilling performance and sumptuous interiors, Eugenia VII is the stuff of fairy tales. She may fall into the newer category having been delivered in 2009, but this only plays to her advantage. She was designed by Hoek Design, who endowed her with a remarkably well-balanced profile and a classical feel. Inside, she’s filled with wood – contributing nicely to her classical feel – and has plenty of beautiful furnishings and sumptuous seating. A top yacht for charter , she is designed perfectly for socialising and entertaining with family and friends, Eugenia VII is an all-rounder, fit for those after some serious sailing as well as those who would prefer to kick back and bask in the sunshine.

Eugenia VII is available to charter with Fraser with a weekly rate from €44,000.

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Practical Sailor Takes a Look at Trends in Modern Boat Design

Is the quest for speed and interior comfort trumping smart design in todays sailboats.

Practical Sailor editors have noticed the increasing tendency in newer-model sailboats to be ill-mannered in gusty conditions. Establishing balance between the sails and the hull is one of the main factors in quality boat design. For correct trim, many things must be considered: the ballast package location, the combined longitudinal center of gravity (LCG), and the longitudinal center of buoyancy. At the same time, to maintain a balanced helm, the keel must promote sufficient lead (the fore and aft distance between the center of effort and the center of lateral resistance). To highlight how these boat design principles play out, Practical Sailor looks at classic sailboats such as the Bill Shaw-designed Pearson 32, Ericson 41, Valiant 40, and Peterson 44, and compares their keel/sail ratios and lead values to more modern sailboat designs such as the Catalina, Hunter, Tartan, and Beneteau.

In the course of taking out boats for testing, Practical Sailor editors have observed an increased tendency for new-model sailboats to be ill-mannered in gusty conditions. We have been watching this trend for several years, and it seems to be becoming more usual than unusual.

In a typical situation, we will be sailing the test boat on the wind in 12 or so knots of breeze and everything is fine. Then, the breeze picks up to about 15 knots and the helm loads up. OK, thats to be expected, so we flatten the main, drop down the traveler, and that takes care of it.

Then we get a puff. Were already on the point of needing to reef, so in the puff, were overcanvassed. Instead of just heeling farther, the boat begins to round up. Fighting it with the helm is hard work, and easing the main so it luffs doesn’t help much.

Photo by Ralph Naranjo

We take in a reef, which usually means we roll in a bit of the jib or a bit of the main, or both, and the helm lightens up. We trim to the new wind and sail along, a bit slower now in the light spots, but then the next gust comes along, and the helm immediately loads up again.

In the worst case weve experienced, the boat rounded up so quickly that it tacked, even though the helm was hard over in the opposite direction. To prove that wasnt a fluke caused by a temporary diversion into a parallel universe, it did the same thing on the other tack.

Practical Sailor editors are old enough to remember a generation of cruising boats that didnt behave in this manner. For sure, there have always been twitchy boats, but most, when hit by a gust, would heel a little more, put some pressure on the wheel or tiller, and once the boat picked up speed, the pressure would come right off. A boat like that will sail for a long time with a loose lashing on the helm.

So, where does this bad habit come from? Several trends in modern cruising yacht design can share the blame. One of them is builders inclination to tilt their designs toward the performance end of the cruisers spectrum. Many recent and current cruising boats, if suitably fitted out with racing sails and the hardware and software to tweak them, could put up an impressive show on the race course.

The sensitivity to trim that accompanies such potential isn’t always suited to cruising shorthanded or with a family, when balance and good manners are key both to enjoyment and, to a degree, safety.

Establishing Balance

Many factors contribute to the balance of a sailboat. The obvious and principal pair are the sails and the hull. When working up a new design, the architect develops these in close association, but both are in turn influenced by other aspects of the boats design as it evolves.

In the standard approach, the designer works up preliminary drawings to express the basic requirements of the design brief, which normally include a desired length, displacement, cabin arrangement, and sailplan to provide the desired performance.

He then sketches out the hull lines (the matrix of contours that define its three-dimensional shape and its volume) to enclose the interior and meet expressed performance goals. The preliminary lines also serve as a basis on which to perform a number of calculations, one of them being the location of the center of buoyancy (CB).

With everything roughed out, the designer then “weighs” every item that will go into the complete boat, from the hull laminate to the toothbrush holder, but excluding the ballast. He combines these weights and their locations on the three axes, X, Y, and Z, to calculate the center of gravity (CG) of the whole package. Computer programs have helped to speed up this process and make volume calculations more accurate, but the process hasn’t changed much.

For the boat to float on its desired lines, the ballast package must then be designed and located to bring the combined longitudinal CG (LCG) of hull and ballast to the same fore-and-aft location as the CB (LCB). Once everything has been resolved satisfactorily, the designer can finalize the lines, carry out the necessary calculations, and establish shape and locations for the keel and the sailplan.

On most boats of current design, the ballast also constitutes the fin keel, and in that role, its location determines the center of lateral resistance (CLR), which in conjunction with the center of effort (CE) of the sailplan, influences how the boat balances under sail.

Even as boat design procedures have evolved from three-dimensional modeling using half hulls, through two-dimensional modeling using pen on vellum, to three-dimensional virtual modeling on computers, the fundamental principles have remained constant. One of the fundamental values used for predicting the proclivities of a boats helm is the dimension termed “lead.” Lead, pronounced “leed,” is the fore and aft distance between the CE and the CLR, expressed as a percentage of the waterline length (DWL).

“Skenes Elements of Yacht Design,” as revised by Francis S. Kinney, and other references for yacht design provide rules of thumb for calculating lead from the sailplan and the hull profile. (See illustration above).

Looking at the diagram, its easy to see how lead is an elusive quantity. First of all, no boat sails with the sailplan as shown-the sails are never flat and on centerline. The traditional range for lead places the CE forward of the CLR by 14 to 19 percent of DWL. This value is lifted from “Skenes,” for years the first reference for any designer. Since that book was written and updated, hull forms have changed, and with them, optimum values for lead.

On designs with fin keels, lead is often calculated with reference to the keel alone. One feature remains constant whatever the design. Moving the centers closer together-reducing lead-increases the tendency to weather helm. Moving them apart reduces that tendency. If the lead is too great, the result may be lee helm, which is generally considered undesirable-and is in fact, rare.

In Kinneys prime years, the 1960s to the 1980s, the basic working sailplan of a sloop included a 150-percent genoa, which would have the effect of moving the CE closer to the CLR. Many designs today have headsails with short or even no overlap and very often a full-battened mainsail with lots of roach. The different aerodynamic characteristics of such rigs might well affect optimum lead, something which designers can only determine through experience. (If a boatbuilder offers an in-mast furling mainsail as an option, its effect on lead will differ from that of the “classic” sailboat.)

The effective CLR can also be very different from that calculated. On a deep-bodied, full-keel hull, that difference simply might be the difference between the geometric center and the center of hydrodynamic pressure of the whole profile.

A sharp bow with a pronounced “chin” might well move the effective CLR forward. On a modern, fin-keeled boat with a shallow, broad canoe body like that of a dinghy, the keel makes a proportionately larger contribution to lateral resistance, so the location of the keel will strongly influence where that resistance operates.

Obviously the rudder, too, is part of the lateral plane, but if our objective is to sail with light to neutral pressure on the helm, under normal conditions, it should not be making a significant contribution to lateral resistance. Its role is to provide a means to change the boats direction and to compensate for the constant fluctuations in the forces applied to the boat in the normal course of sailing. A certain amount of pressure in the form of weather helm helps by providing positive feedback to the helmsman on the state of balance. That said, on many racing hulls, the rudder is designed to contribute lift and has an active role in driving the boat to windward. (It is worth noting that those wide-bodied race boats also tend to have twin rudders.)

Then and Now

Even in the age of computer modeling, yacht design remains a series of compromises. At the moment, it seems the pendulum has swung to a point where high-volume, wide-beam shapes dominate. With them come large rigs to overcome skin drag and its negative effect in light air. As a result, theres a need to sail the vessel as flat as possible or suffer the consequences.

The sailplan and outboard profiles of boats from different eras represent the shift in yacht design that has occurred during recent decades. The modern boats have longer proportional waterlines, indicating higher potential speed. It also means that the boats immersed volume, or displacement, has been distributed over a greater length.

Given two boats of similar displacement like the classic Pearson 32 and the modern Tartan 3400 (above), the Tartan winds up with a shallower canoe body. This also contributes to its being potentially faster and, if both boats had the same draft, would give the keel a slight advantage in span, and therefore effectiveness to windward.

So far so good, but a shallower canoe body forces the cabin sole upward, especially if the belowdecks accommodations are to take full advantage of the wide beam favored in the modern hull. To achieve comparable headroom with its older counterpart, the cabintop has to go up, too, and to ensure sitting headroom on the settees under the sidedeck, so does the freeboard.

Ultimately, the whole deck moves upward. To ensure the boom doesn’t sweep everybody out of the cockpit during an unplanned jibe, the boom too goes up. If sail area is not to be compromised, the entire mainsail goes up, and with it, its center of effort. The bigger the boat, the less pronounced these differences become as the proportions become more relaxed.

Differences are visible, too, between the boats keels; the modern Tartans is smaller in area. While it might be claimed that less wetted surface promises higher sailing speeds in light air, some builders accept a smaller keel to simplify the manufacture of the hull.

In a perfect world, the designer draws a keel to suit the boats sail area and other characteristics, places it to obtain the desired sailing performance, then massages the needed ballast to both fit the keel and trim the boat correctly. The volume of the ballast is usually less than that of the keel, and the builder has to do some intricate laminating work to mold a keel to receive ballast internally or a stub to which to bolt it externally.

On many production boats today, the keels are bolted directly to the bottom of a fair canoe body, a practice which eliminates much labor. The consequence is that the area of the keel is determined by the weight, and therefore the volume, of the ballast. To achieve the desired hydrodynamic properties and mechanical strength-it mustnt bend under the influence of normal sailing loads-a given volume of ballast can be formed into a limited range of shapes. Placing ballast in a bulb at the bottom aids the keels efficiency by creating an endplate effect and raises stiffness by placing ballast low, but it means that the keels lateral plane is sharply reduced.

For a more dramatic representation of how changes in keel design can affect helm balance, compare a Cruising Club of America (CCA) design like the Ericson 41 above, to a modern equivalent with comparable sail area like the Beneteau 46.

When sailing, two boats are subjected to similar forces on the sails. Resisting that side force are the immersed hull, the keel, and the rudder. If the hulls offer similar resistance, the remaining force is shared between the keel and rudder. If one keel is smaller than the other (as is clearly the case here), the effect is to increase the share taken by the rudder.

When the sails are trimmed properly and all is in balance, the rudder will carry a small load. If however, you hit a gust, the rudder must pick up a high proportion of the added side thrust until balance is restored, usually by some adjustment to sail trim.

Simply put, boats of the general modern type are not forgiving in changeable conditions, say, for example when the apparent wind is in the 12- to 18-knot range. At the higher end, youd want to be reefed; at the lower end, probably not.

On a day when you expect the wind to soften rather than harden, youd rather not put in the reef, so that you can maintain speed in the lulls. In the puffs, you want your hands free to ease the traveler and flatten the jib, which is hard to do if the helm is a handful. Compounding the problem on most boats, the mainsail controls are usually not within reach of the helm.

On racing boats, such sensitivity isn’t an issue. On the contrary, sufficient crew are on hand to make adjustments on the fly as quickly and often as needed to keep the boat sailing at her fastest.

Cruising boats are often sailed shorthanded and by crews who are not looking for a constant physical workout. An autopilot might be doing most of the steering, and good balance is helpful in protecting it from having to work too hard-or from being overpowered.

Another striking difference between the older and newer designs is visible in the plan (overhead) view. By 1980, cruising-boat hulls were already becoming beamy relative to boats of the 1960s and 1970s. The current trend is to carry the beam aft, so that in the region of the rudder, its as much as 85 percent of the maximum beam, far wider than the 55 percent to 60 percent once considered acceptable. The principal beneficiary of this extra breadth is the boats interior-builders often offer twin double cabins aft where a generation ago they might have squeezed in a quarter berth and a cockpit locker. The cockpit, too, becomes roomier, and the transom, scooped and sculpted, is transformed into a swim platform and dinghy dock.

Photo by Jarrod Scanlon

All this additional boat aft adds weight aft, in both construction materials and outfit. To compensate, the ballast-that is to say, the keel-has to be fitted farther forward.

The full beam aft does provide a significant boost to the boats ability to carry sail. As the boat heels, the center of buoyancy moves quickly outboard, away from the center of gravity. This lengthens the righting arm, giving a positive contribution toward stability, but it also moves the immersed centerline of the hull away from the static centerline along which both the keel and the rudder are attached. Depending on the hulls shape, this can create a distortion in the immersed volume, which can in turn affect the dynamics acting on it.

Effect of Keel Area

Another factor entering the equation is the area of the keel. This, too, is apparent when comparing the drawings of the older and newer generation boats. Many of the standard tracts on the design of sailing yachts are, lets say, vague on what keel area is adequate or even desirable, although many designers have come up with their own formulas.

Because the keel is reacting in the water to forces generated on the sails by the wind, it makes sense that the area of a fin keel should be related in some way to sail area.

When naval architect Dave Gerr took over as director of the Westlawn Institute of Marine Technology, he found the course materials for sailing yacht design had little detailed explanation on this topic, a gap he subsequently filled. Briefly, he recommends no fin keel should be less that 2.5 percent of the sail area (mainsail 100 percent foretriangle) and need be no more than 5 percent. The smaller value is appropriate for a racing boat with a full crew aboard to trim and tweak the sails to every change in the wind. The larger area is suited to cruising boats, which need to be more forgiving to shorthanded crews.

Current Design Trends

In the past, racing measurement rules have been criticized because the boats designed to compete under them have become type-formed, sometimes with unwelcome consequences in how they handle. We might just as easily level criticism at present-day marketing and manufacturing methods for doing the same to cruising boats.

Lets face it, but for a few differences in sailplans and keel shapes, modern cruising sailboats are quite generic below the sheerline. They are all beamy; they carry their beam aft; they have long waterlines; they have dinghy-like underbodies; and they have spade rudders. The forces that have created this shape have at least as much to do with how many people can sleep and shower in them comfortably as with how the boats will sail.

Dishing out the hull shape in this manner makes it fairly easy to push through the water, but arranging the keel, rudder, and sails so they work in concert has become a more complex problem, exacerbated by having to compensate for extra weight of accommodations aft, something thats less of an issue in raceboats.

The byproduct of these design parameters is zesty performance, a bonus for the marketing department, but speed for its own sake is not the first priority of cruising sailors. In the brochure for the Beneteau 37, the boats polar diagram shows a maximum theoretical sailing speed of over 12 knots in 30 knots of wind. When cruising sailors encounter 30-knot winds, they are more likely to hunker down in the expectation it will blow even harder than they are to set the chute to go surfing. What they want is a boat that will take readily to hunkering, and all the signs indicate those boats are getting fewer in number . . . and they are mostly older designs.

• The Balancing Act
• Pearson 32 vs. Tartan 3400
• Ericson 41 vs. Beneteau 46
• Practical Sailor Design Guide
• The Modern Hull and Helm Balance

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Welcome to Leonardo Yachts. In close collaboration with the leading designers in the yachting world such as Hoek Design and Dykstra Naval Architects, we build daysailers that embody the true essence of a modern classic yacht. Our modern classic sailing yachts combine the timeless appeal of a classic yacht with the cutting edge technology of a modern cruiser. Enjoy the exceptional comfort and unrivaled performance or our Spirit of Tradition yachts, without making compromises on beauty and elegance. Our modern classic sailing yachts truly are the ideal combination of old and new…

Like a true modern classic yacht, our Eagles all have a classic look with the characteristic long overhangs, classic yacht lines and high gloss mahogany varnished exterior woodwork. The looks are completed by the Edson classic steering pedestal with Ritchie stainless steel compass and the stainless steel 7 spoke steering wheel with high gloss varnished mahogany rim. The interior of our modern classic sailboats can be made in different styles from matt varnished mahogany for a truly classic look or a classic styled white interior with mahogany or teak finish. But also light oak is possible or full teak wood, whatever your preference would be.

The classic lines and looks are integrated in a modern sailing yacht. The designs are made with the latest technology giving the yachts very good and easy to handle sailing characteristics. The modern keels in fin shape can be even upgraded for more performance to a bulb shaped deep draft keel making them fast and easily manouvrable. The modern technology can also be found in the electric package for the winches by which adjusting the sails becomes as easy as pushing a button. The sails from North Sails also hold the latest technology with the 3Di design, making the sails very shape stable to increase the sailing performance. To complete a race set-up, a carbon mast and boom can be added to get the most out of the speed. Standard, our modern classic yachts are delivered with Volvo Penta engines, but off course electric propulsion is available for all models.If you share our passion for modern classic sailing, we would be honoured to help fulfil your aspirations. Together we build the most beautiful Spirit of Tradition boats ever seen.

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43 of the best bluewater sailboat designs of all time

• January 5, 2022

How do you choose the right yacht for you? We highlight the very best bluewater sailboat designs for every type of cruising

Which yacht is the best for bluewater boating? This question generates even more debate among sailors than questions about what’s the coolest yacht , or the best for racing. Whereas racing designs are measured against each other, cruising sailors get very limited opportunities to experience different yachts in real oceangoing conditions, so what is the best bluewater sailboat?

Here, we bring you our top choices from decades of designs and launches. Over the years, the Yachting World team has sailed these boats, tested them or judged them for European Yacht of the Year awards, and we have sifted through the many to curate a selection that we believe should be on your wishlist.

Making the right choice may come down to how you foresee your yacht being used after it has crossed an ocean or completed a passage: will you be living at anchor or cruising along the coast? If so, your guiding requirements will be space, cabin size, ease of launching a tender and anchoring closer to shore, and whether it can comfortably accommodate non-expert-sailor guests.

Article continues below…

The perfect boat: what makes an ideal offshore cruising yacht?

Choosing a boat for offshore cruising is not a decision to be taken lightly. I have researched this topic on…

European Yacht of the Year 2019: Best luxury cruisers

Before the sea trials began, I would have put money on a Hallberg-Rassy or the Wauquiez winning an award. The…

All of these considerations have generated the inexorable rise of the bluewater catamaran – monohulls can’t easily compete on these points. We have a full separate feature on the best bluewater multihulls of all time and here we mostly focus on monohulls. The only exceptions to that rule are two multihulls which made it into our best bluewater sailboats of 2022 list.

As so much of making the right choice is selecting the right boat for the venture in mind, we have separated out our edit into categories: best for comfort; for families; for performance; and for expedition or high latitudes sailing .

Best bluewater sailboats of 2022

The new flagship Allures 51.9, for example, is a no-nonsense adventure cruising design built and finished to a high standard. It retains Allures’ niche of using aluminium hulls with glassfibre decks and superstructures, which, the yard maintains, gives the optimum combination of least maintenance and less weight higher up. Priorities for this design were a full beam aft cabin and a spacious, long cockpit. Both are excellent, with the latter, at 6m long, offering formidable social, sailing and aft deck zones.

It likes some breeze to come to life on the wheel, but I appreciate that it’s designed to take up to five tonnes payload. And I like the ease with which you can change gears using the furling headsails and the positioning of the powerful Andersen winches inboard. The arch is standard and comes with a textile sprayhood or hard bimini.

Below decks you’ll find abundant headroom and natural light, a deep U-shape galley and cavernous stowage. For those who like the layout of the Amel 50 but would prefer aluminium or shoal draught, look no further.

Allures 51.9 price: €766,000

The Ovni 370 is another cunning new aluminum centreboard offering, a true deck saloon cruiser for two. The designers say the biggest challenge was to create a Category A ocean going yacht at this size with a lifting keel, hence the hull had to be very stable.

Enjoyable to helm, it has a practical, deep cockpit behind a large sprayhood, which can link to the bimini on the arch. Many of its most appealing features lie in the bright, light, contemporary, clever, voluminous interior, which has good stowage and tankage allocation. There’s also a practical navstation, a large workroom and a vast separate shower. I particularly like the convertible saloom, which can double as a large secure daybed or pilot berth.

Potentially the least expensive Category A lift keel boat available, the Ovni will get you dreaming of remote places again.

Ovni 370 price: €282,080

There’s no shortage of spirit in the Windelo 50. We gave this a sustainability award after it’s founders spent two years researching environmentally-friendly composite materials, developing an eco-composite of basalt fibre and recycled PET foam so it could build boats that halve the environmental impact of standard glassfibre yachts.

The Windelo 50 is an intriguing package – from the styling, modular interior and novel layout to the solar field on the roof and the standard electric propulsion, it is completely fresh.

Windelo 50 price: €795,000

Best bluewater sailboat of 2022 – Outremer 55

I would argue that this is the most successful new production yacht on the market. Well over 50 have already sold (an equipped model typically costs €1.6m) – and I can understand why. After all, were money no object, I had this design earmarked as the new yacht I would most likely choose for a world trip.

Indeed 55 number one Sanya, was fully equipped for a family’s world cruise, and left during our stay for the Grand Large Odyssey tour. Whereas we sailed Magic Kili, which was tricked up with performance options, including foam-cored deckheads and supports, carbon crossbeam and bulkheads, and synthetic rigging.

At rest, these are enticing space ships. Taking one out to sea is another matter though. These are speed machines with the size, scale and loads to be rightly weary of. Last month Nikki Henderson wrote a feature for us about how to manage a new breed of performance cruising cats just like this and how she coaches new owners. I could not think of wiser money spent for those who do not have ample multihull sailing experience.

Under sail, the most fun was obviously reserved for the reaching leg under asymmetric, where we clocked between 11-16 knots in 15-16 knots wind. But it was the stability and of those sustained low teen speeds which really hit home  – passagemaking where you really cover miles.

Key features include the swing helms, which give you views from outboard, over the coachroof or from a protected position in the cockpit through the coachroof windows, and the vast island in the galley, which is key to an open plan main living area. It helps provide cavernous stowage and acts as the heart of the entertaining space as it would in a modern home. As Danish judge Morten Brandt-Rasmussen comments: “Apart from being the TGV of ocean passages the boat offers the most spacious, open and best integration of the cockpit and salon areas in the market.”

Outremer has done a top job in packing in the creature comforts, stowage space and payload capacity, while keeping it light enough to eat miles. Although a lot to absorb and handle, the 55 offers a formidable blend of speed and luxury cruising.

Outremer 55 price: €1.35m

Best bluewater sailboats for comfort

This is the successor to the legendary Super Maramu, a ketch design that for several decades defined easy downwind handling and fostered a cult following for the French yard. Nearly a decade old, the Amel 55 is the bridge between those world-girdling stalwarts and Amel’s more recent and totally re-imagined sloop designs, the Amel 50 and 60.

The 55 boasts all the serious features Amel aficionados loved and valued: a skeg-hung rudder, solidly built hull, watertight bulkheads, solid guardrails and rampart bulwarks. And, most noticeable, the solid doghouse in which the helmsman sits in perfect shelter at the wheel.

This is a design to live on comfortably for long periods and the list of standard features just goes on and on: passarelle; proper sea berths with lee cloths; electric furling main and genoa; and a multitude of practical items that go right down to a dishwasher and crockery.

There’s no getting around the fact these designs do look rather dated now, and through the development of easier sail handling systems the ketch rig has fallen out of fashion, but the Amel is nothing short of a phenomenon, and if you’ve never even peeked on board one, you really have missed a treat.

Photo: Sander van der Borch

Contest 50CS

A centre cockpit cruiser with true longevity, the Contest 50CS was launched by Conyplex back in 2003 and is still being built by the family-owned Dutch company, now in updated and restyled form.

With a fully balanced rudder, large wheel and modern underwater sections, the Contest 50CS is a surprisingly good performer for a boat that has a dry weight of 17.5 tonnes. Many were fitted with in-mast furling, which clearly curtails that performance, but even without, this boat is set up for a small crew.

Electric winches and mainsheet traveller are all easy to reach from the helm. On our test of the Contest 50CS, we saw for ourselves how two people can gybe downwind under spinnaker without undue drama. Upwind, a 105% genoa is so easy to tack it flatters even the weediest crewmember.

Down below, the finish level of the joinery work is up there among the best and the interior is full of clever touches, again updated and modernised since the early models. Never the cheapest bluewater sailing yacht around, the Contest 50CS has remained in demand as a brokerage buy. She is a reassuringly sure-footed, easily handled, very well built yacht that for all those reasons has stood the test of time.

This is a yacht that would be well capable of helping you extend your cruising grounds, almost without realising it.

Read more about the Contest 50CS and the new Contest 49CS

Photo: Rick Tomlinson

Hallberg-Rassy 48 Mk II

For many, the Swedish Hallberg-Rassy yard makes the quintessential bluewater cruiser for couples. With their distinctive blue cove line, these designs are famous for their seakindly behaviour, solid-as-a-rock build and beautifully finished, traditional interiors.

To some eyes, Hallberg-Rassys aren’t quite cool enough, but it’s been company owner Magnus Rassy’s confidence in the formula and belief in incremental ‘step-by-step’ evolution that has been such an exceptional guarantor of reliable quality, reputation and resale value.

The centre cockpit Hallberg-Rassy 48 epitomises the concept of comfort at sea and, like all the Frers-designed Hallberg-Rassys since the 1990s, is surprisingly fleet upwind as well as steady downwind. The 48 is perfectly able to be handled by a couple (as we found a few years back in the Pacific), and could with no great effort crack out 200-mile days.

The Hallberg-Rassy 48 was launched nearly a decade ago, but the Mk II from 2014 is our pick, updated with a more modern profile, larger windows and hull portlights that flood the saloon and aft cabin with light. With a large chart table, secure linear galley, heaps of stowage and space for bluewater extras such as machinery and gear, this yacht pretty much ticks all the boxes.

Discovery 55

First launched in 2000, the Discovery 55 has stood the test of time. Designed by Ron Holland, it hit a sweet spot in size that appealed to couples and families with world girdling plans.

Elegantly styled and well balanced, the 55 is also a practical design, with a deep and secure cockpit, comfortable seating, a self-tacking jib, dedicated stowage for the liferaft , a decent sugar scoop transom that’s useful for swimming or dinghy access, and very comfortable accommodation below. In short, it is a design that has been well thought out by those who’ve been there, got the bruises, stubbed their toes and vowed to change things in the future if they ever got the chance.

Throughout the accommodation there are plenty of examples of good detailing, from the proliferation of handholds and grabrails, to deep sinks in the galley offering immediate stowage when under way and the stand up/sit down showers. Stowage is good, too, with plenty of sensibly sized lockers in easily accessible positions.

The Discovery 55 has practical ideas and nifty details aplenty. She’s not, and never was, a breakthrough in modern luxury cruising but she is pretty, comfortable to sail and live on, and well mannered.

Photo: Latitudes Picture Library

You can’t get much more Cornish than a Rustler. The hulls of this Stephen Jones design are hand-moulded and fitted out in Falmouth – and few are more ruggedly built than this traditional, up-for-anything offshore cruiser.

She boasts an encapsulated lead keel, eliminating keel bolts and creating a sump for generous fuel and water tankage, while a chunky skeg protects the rudder. She is designed for good directional stability and load carrying ability. These are all features that lend this yacht confidence as it shoulders aside the rough stuff.

Most of those built have had a cutter rig, a flexible arrangement that makes sense for long passages in all sea and weather conditions. Down below, the galley and saloon berths are comfortable and sensible for living in port and at sea, with joinery that Rustler’s builders are rightly proud of.

As modern yachts have got wider, higher and fatter, the Rustler 42 is an exception. This is an exceptionally well-mannered seagoing yacht in the traditional vein, with elegant lines and pleasing overhangs, yet also surprisingly powerful. And although now over 20 years old, timeless looks and qualities mean this design makes her look ever more like a perennial, a modern classic.

The definitive crossover size, the point at which a yacht can be handled by a couple but is just large enough to have a professional skipper and be chartered, sits at around the 60ft mark. At 58ft 8in, the Oyster 575 fitted perfectly into this growing market when launched in 2010. It went on to be one of the most popular models from the yard, and is only now being superseded by the newer Rob Humphreys-designed Oyster 565 (just launched this spring).

Built in various configurations with either a deep keel, shoal draught keel or centreboard with twin rudders, owners could trade off better performance against easy access to shallower coves and anchorages. The deep-bodied hull, also by Rob Humphreys, is known for its easy motion at sea.

Some of the Oyster 575’s best features include its hallmark coachroof windows style and centre cockpit – almost everyone will know at first glance this is an Oyster – and superb interior finish. If she has a flaw, it is arguably the high cockpit, but the flip side is the galley headroom and passageway berth to the large aft stateroom.

This design also has a host of practical features for long-distance cruising, such as high guardrails, dedicated liferaft stowage, a vast lazarette for swallowing sails, tender, fenders etc, and a penthouse engine room.

Privilege Serie 5

A true luxury catamaran which, fully fitted out, will top €1m, this deserves to be seen alongside the likes of the Oyster 575, Gunfleet 58 and Hallberg-Rassy 55. It boasts a large cockpit and living area, and a light and spacious saloon with an emphasis on indoor-outdoor living, masses of refrigeration and a big galley.

Standout features are finish quality and solid build in a yacht designed to take a high payload, a secure walkaround deck and all-round views from the helm station. The new Privilege 510 that will replace this launches in February 2020.

Gunfleet 43

It was with this Tony Castro design that Richard Matthews, founder of Oyster Yachts, launched a brand new rival brand in 2012, the smallest of a range stretching to the flagship Gunfleet 74. The combination of short overhangs and centre cockpit at this size do make the Gunfleet 43 look modern if a little boxy, but time and subsequent design trends have been kind to her lines, and the build quality is excellent. The saloon, galley and aft cabin space is exceptional on a yacht of this size.

Photo: David Harding

Conceived as a belt-and-braces cruiser, the Kraken 50 launched last year. Its unique points lie underwater in the guise of a full skeg-hung rudder and so-called ‘Zero Keel’, an encapsulated long keel with lead ballast.

Kraken Yachts is the brainchild of British businessman and highly experienced cruiser Dick Beaumont, who is adamant that safety should be foremost in cruising yacht design and build. “There is no such thing as ‘one yacht for all purposes’… You cannot have the best of all worlds, whatever the salesman tells you,” he says.

Read our full review of the Kraken 50 .

Wauquiez Centurion 57

Few yachts can claim to be both an exciting Med-style design and a serious and practical northern European offshore cruiser, but the Wauquiez Centurion 57 tries to blend both. She slightly misses if you judge solely by either criterion, but is pretty and practical enough to suit her purpose.

A very pleasant, well-considered yacht, she is impressively built and finished with a warm and comfortable interior. More versatile than radical, she could be used for sailing across the Atlantic in comfort and raced with equal enjoyment at Antigua Sailing Week .

A modern classic if ever there was one. A medium to heavy displacement yacht, stiff and easily capable of standing up to her canvas. Pretty, traditional lines and layout below.

Photo: Voyage of Swell

Well-proven US legacy design dating back to the mid-1960s that once conquered the Transpac Race . Still admired as pretty, with slight spoon bow and overhanging transom.

Capable medium displacement cruiser, ideal size and good accommodation for couples or family cruising, and much less costly than similar luxury brands.

Photo: Peter Szamer

Swedish-built aft cockpit cruiser, smaller than many here, but a well-built and finished, super-durable pocket ocean cruiser.

Tartan 3700

Designed as a performance cruiser there are nimbler alternatives now, but this is still an extremely pretty yacht.

Broker ’ s choice

Discovery 55 Brizo

This yacht has already circumnavigated the globe and is ‘prepared for her next adventure,’ says broker Berthon. Price: £535,000 + VAT

Oyster 575 Ayesha

‘Stunning, and perfectly equipped for bluewater cruising,’ says broker Ancasta International. Price: £845,000 (tax not paid)

Oyster 575 Pearls of Nautilus

Nearly new and with a high spec, this Oyster Brokerage yacht features American white oak joinery and white leather upholstery and has a shoal draught keel. Price: $1.49m

Best bluewater yachts for performance

The Frers-designed Swan 54 may not be the newest hull shape but heralded Swan’s latest generation of displacement bluewater cruisers when launched four years ago. With raked stem, deep V hull form, lower freeboard and slight curve to the topsides she has a more timeless aesthetic than many modern slab-sided high volume yachts, and with that a seakindly motion in waves. If you plan to cover many miles to weather, this is probably the yacht you want to be on.

Photo: Carlo Borlenghi

Besides Swan’s superlative build quality, the 54 brings many true bluewater features, including a dedicated sail locker. There’s also a cockpit locker that functions as a utility cabin, with potential to hold your generator and washing machine, or be a workshop space.

The sloping transom opens out to reveal a 2.5m bathing platform, and although the cabins are not huge there is copious stowage space. Down below the top-notch oak joinery is well thought through with deep fiddles, and there is a substantial nav station. But the Swan 54 wins for handling above all, with well laid-out sail controls that can be easily managed between a couple, while offering real sailing enjoyment to the helmsman.

Photo: Graham Snook

The Performance Cruiser winner at the 2019 European Yacht of the Year awards, the Arcona 435 is all about the sailing experience. She has genuine potential as a cruiser-racer, but her strengths are as an enjoyable cruiser rather than a full-blown liveaboard bluewater boat.

Build quality is excellent, there is the option of a carbon hull and deck, and elegant lines and a plumb bow give the Arcona 435 good looks as well as excellent performance in light airs. Besides slick sail handling systems, there are well thought-out features for cruising, such as ample built-in rope bins and an optional semi-closed stern with stowage and swim platform.

Outremer 51

If you want the space and stability of a cat but still prioritise sailing performance, Outremer has built a reputation on building catamarans with true bluewater characteristics that have cruised the planet for the past 30 years.

Lighter and slimmer-hulled than most cruising cats, the Outremer 51 is all about sailing at faster speeds, more easily. The lower volume hulls and higher bridgedeck make for a better motion in waves, while owners report that being able to maintain a decent pace even under reduced canvas makes for stress-free passages. Deep daggerboards also give good upwind performance.

With bucket seats and tiller steering options, the Outremer 51 rewards sailors who want to spend time steering, while they’re famously well set up for handling with one person on deck. The compromise comes with the interior space – even with a relatively minimalist style, there is less cabin space and stowage volume than on the bulkier cats, but the Outremer 51 still packs in plenty of practical features.

The Xc45 was the first cruising yacht X-Yachts ever built, and designed to give the same X-Yachts sailing experience for sailors who’d spent years racing 30/40-footer X- and IMX designs, but in a cruising package.

Launched over 10 years ago, the Xc45 has been revisited a few times to increase the stowage and modernise some of the styling, but the key features remain the same, including substantial tanks set low for a low centre of gravity, and X-Yachts’ trademark steel keel grid structure. She has fairly traditional styling and layout, matched with solid build quality.

A soft bilge and V-shaped hull gives a kindly motion in waves, and the cockpit is secure, if narrow by modern standards.

A three or four cabin catamaran that’s fleet of foot with high bridgedeck clearance for comfortable motion at sea. With tall daggerboards and carbon construction in some high load areas, Catana cats are light and quick to accelerate.

Sweden Yachts 45

An established bluewater design that also features in plenty of offshore races. Some examples are specced with carbon rig and retractable bowsprits. All have a self-tacking jib for ease. Expect sweeping areas of teak above decks and a traditionally wooded interior with hanging wet locker.

A vintage performer, first launched in 1981, the 51 was the first Frers-designed Swan and marked a new era of iconic cruiser-racers. Some 36 of the Swan 51 were built, many still actively racing and cruising nearly 40 years on. Classic lines and a split cockpit make this a boat for helming, not sunbathing.

Photo: Julien Girardot / EYOTY

The JPK 45 comes from a French racing stable, combining race-winning design heritage with cruising amenities. What you see is what you get – there are no superfluous headliners or floorboards, but there are plenty of ocean sailing details, like inboard winches for safe trimming. The JPK 45 also has a brilliantly designed cockpit with an optional doghouse creating all-weather shelter, twin wheels and superb clutch and rope bin arrangement.

Photo: Andreas Lindlahr

For sailors who don’t mind exchanging a few creature comforts for downwind planing performance, the Pogo 50 offers double-digit surfing speeds for exhilarating tradewind sailing. There’s an open transom, tiller steering and no backstay or runners. The Pogo 50 also has a swing keel, to nose into shallow anchorages.

Seawind 1600

Seawinds are relatively unknown in Europe, but these bluewater cats are very popular in Australia. As would be expected from a Reichel-Pugh design, this 52-footer combines striking good looks and high performance, with fine entry bows and comparatively low freeboard. Rudders are foam cored lifting designs in cassettes, which offer straightforward access in case of repairs, while daggerboards are housed under the deck.

Best bluewater sailboats for families

It’s unsurprising that, for many families, it’s a catamaran that meets their requirements best of increased space – both living space and separate cabins for privacy-seeking teenagers, additional crew or visiting family – as well as stable and predictable handling.

Photo: Nicholas Claris

Undoubtedly one of the biggest success stories has been the Lagoon 450, which, together with boats like the Fountaine Pajot 44, helped drive up the popularity of catamaran cruising by making it affordable and accessible. They have sold in huge numbers – over 1,000 Lagoon 450s have been built since its launch in 2010.

The VPLP-designed 450 was originally launched with a flybridge with a near central helming position and upper level lounging areas (450F). The later ‘sport top’ option (450S) offered a starboard helm station and lower boom (and hence lower centre of gravity for reduced pitching). The 450S also gained a hull chine to create additional volume above the waterline. The Lagoon features forward lounging and aft cockpit areas for additional outdoor living space.

Besides being a big hit among charter operators, Lagoons have proven themselves over thousands of bluewater miles – there were seven Lagoon 450s in last year’s ARC alone. In what remains a competitive sector of the market, Lagoon has recently launched a new 46, with a larger self-tacking jib and mast moved aft, and more lounging areas.

Photo: Gilles Martin-Raget

Fountaine Pajot Helia 44

The FP Helia 44 is lighter, lower volume, and has a lower freeboard than the Lagoon, weighing in at 10.8 tonnes unloaded (compared to 15 for the 450). The helm station is on a mezzanine level two steps up from the bridgedeck, with a bench seat behind. A later ‘Evolution’ version was designed for liveaboard cruisers, featuring beefed up dinghy davits and an improved saloon space.

Available in three or four cabin layouts, the Helia 44 was also popular with charter owners as well as families. The new 45 promises additional volume, and an optional hydraulically lowered ‘beach club’ swim platform.

Photo: Arnaud De Buyzer / graphikup.com

The French RM 1370 might be less well known than the big brand names, but offers something a little bit different for anyone who wants a relatively voluminous cruising yacht. Designed by Marc Lombard, and beautifully built from plywood/epoxy, the RM is stiff and responsive, and sails superbly.

The RM yachts have a more individual look – in part down to the painted finish, which encourages many owners to personalise their yachts, but also thanks to their distinctive lines with reverse sheer and dreadnought bow. The cockpit is well laid out with the primary winches inboard for a secure trimming position. The interior is light, airy and modern, although the open transom won’t appeal to everyone.

For those wanting a monohull, the Hanse 575 hits a similar sweet spot to the popular multis, maximising accommodation for a realistic price, yet with responsive performance.

The Hanse offers a vast amount of living space thanks to the ‘loft design’ concept of having all the living areas on a single level, which gives a real feeling of spaciousness with no raised saloon or steps to accommodation. The trade-off for such lofty head height is a substantial freeboard – it towers above the pontoon, while, below, a stepladder is provided to reach some hatches.

Galley options include drawer fridge-freezers, microwave and coffee machine, and the full size nav station can double up as an office or study space.

But while the Hanse 575 is a seriously large boat, its popularity is also down to the fact that it is genuinely able to be handled by a couple. It was innovative in its deck layout: with a self-tacking jib and mainsheet winches immediately to hand next to the helm, one person could both steer and trim.

Direct steering gives a feeling of control and some tangible sailing fun, while the waterline length makes for rapid passage times. In 2016 the German yard launched the newer Hanse 588 model, having already sold 175 of the 575s in just four years.

Photo: Bertel Kolthof

Jeanneau 54

Jeanneau leads the way among production builders for versatile all-rounder yachts that balance sail performance and handling, ergonomics, liveaboard functionality and good looks. The Jeanneau 54 , part of the range designed by Philippe Briand with interior by Andrew Winch, melds the best of the larger and smaller models and is available in a vast array of layout options from two cabins/two heads right up to five cabins and three heads.

We’ve tested the Jeanneau 54 in a gale and very light winds, and it acquitted itself handsomely in both extremes. The primary and mainsheet winches are to hand next to the wheel, and the cockpit is spacious, protected and child-friendly. An electric folding swim and sun deck makes for quick fun in the water.

Nautitech Open 46

This was the first Nautitech catamaran to be built under the ownership of Bavaria, designed with an open-plan bridgedeck and cockpit for free-flowing living space. But with good pace for eating up bluewater miles, and aft twin helms rather than a flybridge, the Nautitech Open 46 also appeals to monohull sailors who prefer a more direct sailing experience.

Made by Robertson and Caine, who produce catamarans under a dual identity as both Leopard and the Sunsail/Moorings charter cats, the Leopard 45 is set to be another big seller. Reflecting its charter DNA, the Leopard 45 is voluminous, with stepped hulls for reduced waterline, and a separate forward cockpit.

Built in South Africa, they are robustly tested off the Cape and constructed ruggedly enough to handle heavy weather sailing as well as the demands of chartering.

Photo: Olivier Blanchet

If space is king then three hulls might be even better than two. The Neel 51 is rare as a cruising trimaran with enough space for proper liveaboard sailing. The galley and saloon are in the large central hull, together with an owner’s cabin on one level for a unique sensation of living above the water. Guest or family cabins lie in the outer hulls for privacy and there is a cavernous full height engine room under the cabin sole.

Performance is notably higher than an equivalent cruising cat, particularly in light winds, with a single rudder giving a truly direct feel in the helm, although manoeuvring a 50ft trimaran may daunt many sailors.

Beneteau Oceanis 46.1

A brilliant new model from Beneteau, this Finot Conq design has a modern stepped hull, which offers exhilarating and confidence-inspiring handling in big breezes, and slippery performance in lighter winds.

The Beneteau Oceanis 46.1 was the standout performer at this year’s European Yacht of the Year awards, and, in replacing the popular Oceanis 45, looks set to be another bestseller. Interior space is well used with a double island berth in the forepeak. An additional inboard unit creates a secure galley area, but tank capacity is moderate for long periods aboard.

Beneteau Oceanis 473

A popular model that offers beam and height in a functional layout, although, as with many boats of this age (she was launched in 2002), the mainsheet is not within reach of the helmsman.

Jeanneau Sun Odyssey 49

The Philippe Briand-designed Sun Odyssey range has a solid reputation as family production cruisers. Like the 473, the Sun Odyssey 49 was popular for charter so there are plenty of four-cabin models on the market.

Nautitech 441

The hull design dates back to 1995, but was relaunched in 2012. Though the saloon interior has dated, the 441 has solid practical features, such as a rainwater run-off collection gutter around the coachroof.

Atlantic 42

Chris White-designed cats feature a pilothouse and forward waist-high working cockpit with helm position, as well as an inside wheel at the nav station. The Atlantic 42 offers limited accommodation by modern cat standards but a very different sailing experience.

Best bluewater sailing yachts for expeditions

Bestevaer 56.

All of the yachts in our ‘expedition’ category are aluminium-hulled designs suitable for high latitude sailing, and all are exceptional yachts. But the Bestevaer 56 is a spectacular amount of boat to take on a true adventure. Each Bestevaer is a near-custom build with plenty of bespoke options for owners to customise the layout and where they fall on the scale of rugged off-grid adventurer to 4×4-style luxury fit out.

The Bestevaer range began when renowned naval architect Gerard Dijkstra chose to design his own personal yacht for liveaboard adventure cruising, a 53-footer. The concept drew plenty of interest from bluewater sailors wanting to make longer expeditions and Bestevaers are now available in a range of sizes, with the 56-footer proving a popular mid-range length.

The well-known Bestevaer 56 Tranquilo  (pictured above) has a deep, secure cockpit, voluminous tanks (700lt water and over 1,100lt fuel) and a lifting keel plus water ballast, with classically styled teak clad decks and pilot house. Other owners have opted for functional bare aluminium hull and deck, some choose a doghouse and others a pilothouse.

Photo: Jean-Marie Liot

The Boreal 52 also offers Land Rover-esque practicality, with utilitarian bare aluminium hulls and a distinctive double-level doghouse/coachroof arrangement for added protection in all weathers. The cockpit is clean and uncluttered, thanks to the mainsheet position on top of the doghouse, although for visibility in close manoeuvring the helmsman will want to step up onto the aft deck.

Twin daggerboards, a lifting centreboard and long skeg on which she can settle make this a true go-anywhere expedition yacht. The metres of chain required for adventurous anchoring is stowed in a special locker by the mast to keep the weight central. Down below has been thought through with equally practical touches, including plenty of bracing points and lighting that switches on to red light first to protect your night vision.

Photo: Morris Adant / Garcia Yachts

Garcia Exploration 45

The Garcia Exploration 45 comes with real experience behind her – she was created in association with Jimmy Cornell, based on his many hundreds of thousands of miles of bluewater cruising, to go anywhere from high latitudes to the tropics.

Arguably less of a looker than the Bestevaer, the Garcia Exploration 45 features a rounded aluminium hull, centreboard with deep skeg and twin daggerboards. The considerable anchor chain weight has again been brought aft, this time via a special conduit to a watertight locker in front of the centreboard.

This is a yacht designed to be lived on for extended periods with ample storage, and panoramic portlights to give a near 360° view of whichever extraordinary landscape you are exploring. Safety features include a watertight companionway door to keep extreme weather out and through-hull fittings placed above the waterline. When former Vendée Globe skipper Pete Goss went cruising , this was the boat he chose to do it in.

Photo: svnaima.com

A truly well-proven expedition design, some 1,500 Ovnis have been built and many sailed to some of the most far-flung corners of the world. (Jimmy Cornell sailed his Aventura some 30,000 miles, including two Drake Passage crossings, one in 50 knots of wind).

Futuna Exploration 54

Another aluminium design with a swinging centreboard and a solid enclosed pilothouse with protected cockpit area. There’s a chunky bowsprit and substantial transom arch to house all manner of electronics and power generation.

Previous boats have been spec’d for North West Passage crossings with additional heating and engine power, although there’s a carbon rig option for those that want a touch of the black stuff. The tanks are capacious, with 1,000lt capability for both fresh water and fuel.

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Based a few miles from the Solent in Hampshire, we have a global reputation for striking new designs, expert restoration and sensitive refit consultation. We work with owners, yards and brokers to handle every stage of the process from concept drawings to full manufacturing plans and final build.

Led by Paul Spooner CEng MRINA, a naval architect with 30 years' experience in the industry, including Fairlie Yachts & Restorations and other yards around Europe. PSD brings to bear decades of collective experience working on some of the world’s finest vessels, both classic and new.

Paul and his team dispay a wealth of experience and dedication to every project. Their creative ideas and elegant designs truly deliver.

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Classic Sailboat Designs

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/wp-content/uploads/2010/06/FishClass.jpg Herreshoff Fish Class

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/wp-content/uploads/2010/06/InternationalDragon.jpg International Dragon

/wp-content/uploads/2010/06/InternationalOD.jpg International One Design

/wp-content/uploads/2010/06/Lunders16.jpg Luders 16

/wp-content/uploads/2010/06/indianknockabout.jpg Nantucket Indian

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Out of the Centre

Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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TRULY CLASSIC

Combining the elegance of the 1930s with modern underwater hull configurations, Truly Classic yachts are built in semi series. The idea behind the Truly Classic concept is that clients can base their new yacht on an existing proven hull design where the majority of the design decisions have already been made.  The yachts can then be built semi custom where the interior- and deck layout, draft and sailplan can be customized. The central design concept calls for a flush deck boat with an aft cockpit, low deckhouse, sweeping sheer, moderate freeboard and long overhangs to bow and stern. Other features shared by all Truly Classics are their keyhole shaped cockpits, fingertip control, exceptional balance and an optimal use of interior volume. The idea and name for these boats came from a yacht created in partnership with the late Michael Peacock, former captain of the British Admiral’s Cup team. Launched in 1994, Truly Classic (later Zephyr, now named Savy) set new standards by winning the Spirit of Tradition Class at Antigua Classic Week three years in a row, as well as the overall “Med Cup” for Spirit of Tradition yachts. This success attracted other owners interested in a similar concept in various sizes, and Truly Classic has since become that rarest of breeds in the yachting industry – a brand name in its own right.

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Hands up if you’re ready to be dazzled! From a ceremony structure designed to float on water to a jaw-dropping reception room with flowers blooming from every service, we’re swooning over every bit of this wedding. If you can believe it, that’s just the beginning. Julia Kaptelova artfully shot every detail, like the ballet performance guests were treated to and snow falling from the ceiling for the first dance! Prepare to be amazed and take a visit to the full gallery .

From About You Decor … Our design is a symbol of dawn and a distant endless horizon. Ahead is a long, happy life without any borders. An international couple, Pavel and Cherry, met in London and have been walking together for many years.

From the Bride, Cherry… My husband and I we decided to have our summer wedding in Moscow because the city is where his roots are. As we knew we were going to have the other wedding ceremony in China, we wanted our Moscow one to be very personal and intimate. We’ve known each other since we were fourteen, together with many of our friends whom we’ve also known for a decade.

I didn’t want to walk down the aisle twice so the plausibility of my request quickly came into discussion. The open pontoon stage was constructed in order to facilitate the bridal entrance on water, although there were concerns about safety as the last thing we wanted was probably a drowned bride before she could get on stage, picture that! I have to say on that day it wasn’t easy to get on the pontoon stage from the boat, in my long gown and high heels. Luckily my bridesmaids still noticed even though they stood the furthest from me on the stage, and helped me out without prior rehearsal. My girls could just tell whenever I needed a hand or maybe they were just so used to my clumsiness. Who knows 😂

We all love our photographer Julia! She’s so talented and her style is so unique. Our beloved host Alex is exceptional who made everyone laugh and cry. It was truly a blessing to have so many kind and beautiful souls on our big day. Thank you all!

[iframe https://player.vimeo.com/video/384992271 600 338]

Photography: Julia Kaptelova Photography | Wedding Planner: Caramel | Cake: Any Cake | Invitations: Inviteria | Rings: Harry Winston | Band: Menhouzen | Grooms attire: Ermenegildo Zegna | Wedding Venue: Elizaveta Panichkina | Bridesmaids’ dresses: Marchesa | Bridesmaids’ dresses: Alice McCall | Bride’s gown : Jaton Couture | Bride’s shoes: Manolo Blahnik | Decor : About you decor | Earrings: Damiani | Muah: Khvanaco Studio | Video: Artem Korchagin

More Princess-Worthy Ballgowns

I’m still not convinced this Moscow wedding, captured to perfection by  Sonya Khegay , isn’t actually an inspiration session—it’s just  that breathtaking. From the beautiful Bride’s gorgeous lace wedding dress and flawless hair and makeup to the pretty pastel color palette and stunning ceremony and reception spaces, this wedding is almost too good to be true. Do yourself a favor and see it all in The Vault now!

From Sonya Khegay … It was the last day of April and still very cold in the morning. The weather forecast wasn’t pleasing and no one expected that the sun would come out, but miracles happen and light rain gave way to the warm rays.

I love how all the details went together, you could feel the harmony in everything throughout the entire wedding day from the morning until the fireworks.

A gentle look of the bride, elegant but so airy and unique decor, the fresh and light atmosphere of early spring and, of course, true happiness in the eyes. My heart becomes so warm from these memories, it is always a pleasure to see the birth of a new family of two loving hearts.

Photography: Sonya Khegay | Event Design: Latte Decor | Event Planning: Ajur Wedding | Floral Design: Blush Petals | Wedding Dress: La Sposa | Stationery: Special Invite | Bride's Shoes: Gianvito Rossi | Hair + Makeup: Natalie Yastrebova | Venue: Rodniki Hotel

• by Elizabeth Greene

You really can’t go wrong with simple: a beautiful Bride , perfectly pretty petals , loved ones all around. But add in an amazing firework show  to cap off the night and simple just became downright extraordinary. Captured by Lena Elisseva , with assistance by  Katya Butenko , this rustic Russian celebration is simply fantastic. See it all in the Vault right here !

From Lena Eliseeva Photo …  This cozy and warm summer wedding of gorgeous Natalia and Anton was in the middle of June. The young couple decided to organize their wedding themselves, and the day was very personal and touching. I am absolutely in love with rustic outdoor weddings, and this one is my favourite because of the free and easy atmosphere.

All the decor excluding the bride’s bouquet was made by a team of ten friends of the bride and groom. And it was charming – a light and beautiful arch, eco-style polygraphy and succulents, candy-bar with caramel apples and berries – sweet joys of summer.

At the end of ceremony the guests tossed up white handkerchiefs embroidered by Natalia’s own hands.

The most touching moment was the happy eyes of the groom’s grandmother, the most estimable person on the wedding. And the fireworks were a bright end to that beautiful day.

Photography: LENA ELISEEVA PHOTO | Floral Design: Katerina Kazakova | Hair And Makeup: Svetlana Fischeva | Photography - Assistance: Katya Butenko

These photos from Lena Kozhina are so stunningly beautiful – as in you can’t help but stop and stare – it’s hard to believe it’s real life. But these pics are proof of this gorgeous Bride and her handsome Groom’s celebration at Moscow’s Fox Lodge , surrounded by vibrant colors and breathtaking blooms . Oh, and the idea of prepping for your Big Day outside in the sun ? Brilliant. See more bright ideas right here !

From Lena Kozhina … When we met with the couple for the first time, we immediately paid attention to Dima’s behavior towards Julia. There was a feeling of tenderness and awe, and we immediately wanted to recreate this atmosphere of love, care and warmth on their Big Day.

Later, when we had chosen a green meadow and an uncovered pavilion overlooking a lake as the project site, it only highlighted a light summer mood with colorful florals and a great number of natural woods. The name of the site is Fox Lodge and peach-orange color, as one of the Bride’s favorites, set the tone for the whole design – from the invitations, in which we used images of fox cubs to elements of serving guest tables and other decorative elements with the corresponding bright accents.

Photography: Lena Kozhina | Event Planning: Ajur Wedding | Wedding Dress: Rosa Clara | Shoes: Marc Jacobs | Catering: Fox Lodge | Makeup Artist: Elena Otrembskaya | Wedding Venue: Fox Lodge | Cake and Desserts: Yumbaker | Decor: Latte Decor

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Garden tours, plants sales and more ways to spend time among flowers

Visit Maine's botanical gardens or get a sneak peek of what your neighbors are growing in their back yards.

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One of the loveliest ways to ease yourself fully out of the post-winter blahs and into springtime is to quit being a wallflower and instead surround yourself with living, blooming plants.

From botanical gardens to plant sales and garden tours, it’s time to make like the Scarecrow in “The Wizard of Oz” and while away the hours, conferring with flowers.

The waterfall at Coastal Maine Botanical Gardens in Boothbay. Photo by Tory Paxson, Courtesy of Coastal Maine Botanical Gardens

TOTALLY BOTANICAL

Coastal Maine Botanical Gardens in Boothbay is open for the season, daily from 9 a.m. to 5 p.m. Maine Days are May 31 to June 2, when anyone with a Maine driver’s license or state ID gets in for free. Ditto for dads/father figures on Father’s Day (June 16). Advance registration is required. With more than 300 acres of gardens and natural spaces, including a waterfall, there will be plenty to see, smell and bask in the scenery.

Here are more things to do in Boothbay

A tour group walks on the boardwalk at Viles Arboretum in Augusta. Joe Phelan/Kennebec Journal

Viles Arboretum is a botanical garden in Augusta with 6 miles of trails and more than 20 botanical collections. It’s open daily from sunrise to sunset, and admission is free. There are 224 acres with all sorts of flora and fauna to discover. Leashed dogs are welcome, and the visitor center is open from 10:30 a.m. to 4:30 p.m. Wednesday through Saturday.

Viles Arboretum offers medicinal plant walks, and although the May 18 session is full, you can still register for the June 15 and Sept. 14 events, lead by herbalist, homeopath and flower essence practitioner Debra Bluth. Tickets are $25. Advertisement

The Mount Desert Land & Garden Preserve has four areas to explore on its property in Northeast Harbor: the Asticou Azelea Garden (dawn to dusk daily), the Abby Aldrich Rockefeller Garden (noon to 4 p.m. Tuesday through Sunday from July 9 to Sept. 8, reservations required), Thuya Garden (dawn to dusk daily, June 15 to Oct. 14) and Little Long Pond Natural Lands (hiking trails and carriage roads open dawn to dusk daily). On June 26, at the Wildflowers of Little Long Pond event, participants can wander around the garden’s fields and forest, spotting wildflowers along the way while practicing how to identify them.

Joyce Saltman, right, and Beth Anisbeck embrace a tree for 60 seconds during a tree hugging event sponsored by Portland Parks and Recreation, at Deering Oaks Park last year. Carl D. Walsh/Staff Photographer

TOURS AND MORE

2nd Annual Tree Hugging 11 a.m. to 1 p.m. Saturday. Deering Oaks Park, Portland. portlandmaine.gov The tree hugging is a family-friendly community gathering to celebrate Portland’s many trees. Park ranger Liz Collado will lead a sensory awakening and forest bathing session. Along with tree hugging, there will be a storytime, and you can touch a forestry truck and meet naturalist Noah Querido and Portland city arborist Mark Reiland. Just down the road, you’ll find Fessenden Park, on the corner of Brighton and Deering Avenues. The tulips have arrived, and it’s worth a visit to see them.

McLaughlin Garden Lilac Festival 10 a.m. to 4 p.m. May 24. McLaughlin Garden and Homestead, 97 Main St., South Paris, $5. mclaughlingardens.org You’ll find more than 125 varieties of lilacs at the McLaughlin Garden Lilac Festival. Explore on your own or take a guided tour led by a horticulturist. There will also be family-friendly activities, and you can shop for native and unusual plants.

4th annual Woodfords Community Garden Tour 1-4 p.m. June 8. Woodfords Corner Community in Back Cove, Deering Highlands, Oakdale and Deering Center, $20 suggested donation. woodfordscorner.org Presented by Friends of Woodfords Corner, this self-guided tour features at least 10 gardens. As you make your way down the list, you’ll find yourself pleasantly surprised by all of the hidden havens bursting with flowers, plants and impressive yardscaping elements.

Peony Society of Maine 23rd annual Garden Tour 10 a.m. to 3 p.m. June 8 and 15. Both tours start at 1348 Ohio St., Bangor, $5 donation. peonysocietyofmaine.net You’ll visit multiple gardens in Bangor, Winterport, Ripley and St. Albans, and your senses will be filled with countless peonies. A peony plant will be raffled off at the end of each tour. Advertisement

Hidden Gardens of Historic Bath 10 a.m. to 2 p.m. June 22. Sagadahoc Preservation Inc., 880 Washington St., Bath, $40. sagadahocpreservation.org The Hidden Gardens of Historic Bath house and garden tour features several homes in North Bath. Every stop on the tour will be a treat for your senses and may motivate you to make some of your own magic when you get back home.

Garden Conservancy Open Garden Days 10 a.m. to 4 p.m. June 29. Beckett Castle Rose Garden, Singles Road, Cape Elizabeth, $10. gardenconservancy.org You’ll see plenty of roses as well as ocean views at Beckett Castle, which sits right on the water, with views of five lighthouses. The castle was built in 1871, and its rose garden features more than 70 varieties of heirloom roses. A 50-foot stone tower doubles as the rose arbor entrance to the castle.

PICK A PLANT SALE

Tate House Museum’s Annual Plant and Herb Sale 9 a.m. to 1 p.m. May 18. Tate House Museum, 1267 Westbrook St., Portland, 207-774-6177.  tatehouse.org The wide selection includes perennials divided from the museum’s 18th century reproduction garden. Visitors can also make their own “seed bombs” and get a sneak peak at a new installation by artist Ashley Page from 10 a.m. to noon.

Animal Refuge League of Greater Portland Spring Plant S ale 9 a.m. to 11 a.m. May 18, Animal Refuge League of Greater Portland, 217 Landing Road, Westbrook, 207-854-9771.  arlgp.org   Perennials, house plants and more will be on sale, and plants that don’t have specific pricing are “name your own fee.” Anyone interested in donating plants or pots to the sale should send a message to [email protected] .

Taking Root Plant Sale 9 a.m. to 1 p.m. June 1, Tom Settlemire Community Garden, Maurice Drive, Brunswick, 207-729-7694.  btlt.org This annual sale is organized by the Brunswick-Topsham Land Trust. Proceeds benefit the Common Good Garden, which provides food and gardening education for the Mid Coast Hunger Prevention Program. Master gardeners will be on hand to help shoppers choose their best options.

Scarborough Land Trust Native Plant Sale and Spring Festival 9 a.m. to 1 p.m. June 1, Broadturn Farm, 388 Broadturn Road, Scarborough, 207-289-1199.  scarboroughlandtrust.org Visitors will find native plants, food vendors, local artisans, guided nature walks and activities for kids. To preorder plants, visit the Scarborough Land Trust website.

Maine Audubon Society Native Plants Sale and Festival 9 a.m. to 3 p.m., June 8, Gilsland Farm Audubon Center, 20 Gilsland Farm Road, Falmouth, 207-781-2330.  maineaudubon.org More than 75 species of native wildflowers, shrubs and tree seedlings will be available, along with workshops, info tables and experts.

Staff writer Megan Gray contributed to this report.

Related Headlines

Headed to Coastal Maine Botanical Gardens? Here’s what else to check out in Boothbay

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